Count Basie defined the jazz meaning of swing. His band could get more bounce from a line that any other. And though his soloists were never of highest dazzle, they always fit the program. These live recordings from 1959, 1961 and 1962 capture the Count at his comfort. Mosaic has done its usual fine job with them on eight CDs. Roulette itself has reissued 12 of the cuts on a single CD entitled ``Basie in Sweden,`` for those who just want a taste.
The long-awaited collaboration between two icons, Count Basie and Frank Sinatra, did something unique for the reputations of both. For Basie, the Sinatra connection inaugurated a period in the '60s when his band was more popular and better known than it ever was, even in the big-band era. For Sinatra, Basie meant liberation, producing perhaps the loosest, rhythmically free singing of his career. Propelled by the irresistible drums of Sonny Payne, Sinatra careens up to and around the tunes, reacting jauntily to the beat and encouraging Payne to swing even harder, which was exactly the way to interact with the Basie rhythm machine – using his exquisite timing flawlessly.
This magnificent three-disc set has the first 63 recordings by Count Basie's Orchestra, all of his Deccas. The consistency is remarkable (with not more than two or three turkeys) and the music is the epitome of swing. With such soloists as Lester Young and Herschel Evans on tenors, trumpeters Buck Clayton and Harry "Sweets" Edison, the great blues singer Jimmy Rushing, and that brilliant rhythm section of Basie, guitarist Freddie Green, bassist Walter Page, and drummer Jo Jones, the music is timeless.
Bristling with excitement and electricity, this 1958 album represents the finest accomplishment of Count Basie's "New Testament" big band. His "Old Testament" band of the late 1930s, featuring stars Lester Young, Herschel Evans, Dickie Wells, and Buck Clayton, perfected the blues-drenched, straight 4/4 rhythm of Kansas City swing. Building on the blues foundation, this 1950s band features more ambitious compositions and a more dynamic sound and incorporates more modern developments. ~ Amazon
The two albums John Hartford recorded for Warner Bros. in the early '70s stand as two of the most influential and groundbreaking albums in modern country music. For 1971's Aereo-Plain, Hartford and fiddler Vassar Clements, dobroist Tut Taylor, guitarist Norman Blake and bassist Randy Scruggs played a set of mostly original tunes that fused the irreverent hippie aesthetic with the hallowed bluegrass tradition, thereby more or less singlehandedly inventing the "newgrass" genre. And 1972's Morning Bugle built on Aereo-Plain's breakthrough with a stripped-down line-up of Hartford, Blake and jazz bassist Dave Holland. This two-CD set contains both albums with eight unreleased bonus tracks-four from each session.
Argentinian pianist Martha Argerich is widely regarded as one of the greatest pianists of the second half of the twentieth century. In celebration of her 75th birthday, Sony Classical is pleased to release Martha Argerich The Complete Sony Classical Recordings, a new 5-CD original jackets collection featuring two albums available for the first time on CD remastered from the original analogue tapes. Argerich rose to international prominence when she won the seventh International Chopin Competition in Warsaw in 1965 at age 24. In that same year, she debuted in the U.S. in Lincoln Center s Great Performers Series.