David Rosenboom

David Rosenboom - Naked Curvature (2015) {Tzadik TZ 4009}  Music

Posted by ruskaval at Aug. 2, 2015
David Rosenboom - Naked Curvature (2015) {Tzadik TZ 4009}

David Rosenboom - Naked Curvature (2015) {Tzadik TZ 4009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 345 Mb | MP3 @320 -> 140 Mb
Full Artwork @ 600 dpi (png) -> 271 Mb | 5% repair rar
© 2015 Tzadik | TZ 4009 | Tzadik Spectrum Series
Jazz / Classical / Avant-Garde / Chamber Music / Electronics

Active since the 1960s, composer/performer/ educator/instrument builder and improviser David Rosenboom, has been at the cutting edge of contemporary music, scoring for orchestra, opera, solo performance, chamber ensembles, improvisers, electronics, dance and more. This exciting release presents his whispered chamber opera/concerto grosso for six instrumentalists, whispering voices, electronics and interactive computer software. The recording was produced and conducted under the composer’s direction and features the virtuosic CalArts Chamber Ensemble. A unique masterwork from this legendary composer.

David Rosenboom – Systems of Judgment (1989)  Music

Posted by d'Avignon at Jan. 10, 2015
David Rosenboom – Systems of Judgment (1989)

David Rosenboom – Systems of Judgment (1989)
Classical/Contemporary | FLAC lossless | cuesheets+log | covers+booklet | 63m51s | 395mb
Label: Centaur | cat. no. CRC 2077

David Rosenboom & William Winant - Zones of Influence (2014)  Music

Posted by SERTiL at Aug. 15, 2014
David Rosenboom & William Winant - Zones of Influence (2014)

David Rosenboom & William Winant - Zones of Influence
Avant-Garde, Experimental, Electronic | MP3 CBR 320 kbps | 96:02 min | 232 MB + 5% Recovery
Label: Pogus | Tracks: 08 | Rls.date: 15-06-2014

David Rosenboom (b.1947) is considered a pioneer in American experimental music. This release of his Zones of Influence (1984-85) documents for the first time the complete version of a major composition for percussion and computer/electronics that introduced new virtuoso performance techniques along with significant developments in real-time algorithmic composition and advanced interactive linking of percussion instruments with software. Few solo percussion works exist with the scope of this composition. Though the work has been performed extensively, it has never been fully recorded for public release until now.
Bret Higgins' Atlas Revolt - Bret Higgins' Atlas Revolt (2015) {Tzadik TZ 7813}

Bret Higgins' Atlas Revolt - Bret Higgins' Atlas Revolt (2015) {Tzadik TZ 7813}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (png) -> 132 Mb | 5% repair rar
© 2015 Tzadik | TZ 7813 | Tzadik Spotlight Series
Jazz / Jazz Rock / World Music / Instrumental / Surf-psychedelic

A fabulous release by this Canadian instrumental band that blends latin, r&b, soul, film soundtracks, jazz and more into moody and infectious grooves. Bret Higgins is no stranger to Tzadik, performing on the 2014 release Zebrina and performing with Tzadik regulars like Frank London, David Buchbinder, Ben Goldberg and many others. A new take on The Meters and Booker T, this is small unit instrumental music that you will return to again and again.

Les Rhinoceros - Les Rhinoceros III (2015) {Tzadik TZ 7812}  Music

Posted by ruskaval at Oct. 5, 2015
Les Rhinoceros - Les Rhinoceros III (2015) {Tzadik TZ 7812}

Les Rhinoceros - Les Rhinoceros III (2015) {Tzadik TZ 7812}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 259 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 144 Mb | 5% repair rar
© 2015 Tzadik | TZ 7812 | Tzadik Spotlight Series
Jazz / Experimental / World / Improvisation / Klezmer

Together since 2010, Les Rhinocéros has brought their manic and zany mixture of heavy metal riffs, world music, noise, math rock, klezmer, reggae, minimalism, soundtracks and sick improvisation to appreciative audiences all over the world. Their long awaited third release ups the ante once again with a wide variety of manic compositions performed tighter than ever by this virtuosic trio. Featuring guests Gal Klein, Joe Herrera, Matt Rippetoe, Kamyar Arsani, Reese Higgins and David Coltun this is a passionate young band breaking new ground in instrumental music!

Jason Eckardt - Subject (2015) {Tzadik TZ 9006}  Music

Posted by ruskaval at Sept. 3, 2015
Jason Eckardt - Subject (2015) {Tzadik TZ 9006}

Jason Eckardt - Subject (2015) {Tzadik TZ 9006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 600 dpi (png) -> 225 Mb | 5% repair rar
© 2015 Tzadik | TZ 9006 | Tzadik Composer Series
Classical / Avant-Garde / Contemporary Classical

Jason Eckardt began as a heavy metal guitarist and turned to contemporary music after hearing Webern. His music is highly complex andr etains the energy and intensity of his heavy metal roots. Challenging and highly virtuosic, his compositional language embraces both uptown and downtown. Brilliantly performed by JACK, ICE and the Oberlin Contemporary Music Ensemble, “Subject” contains some of his most extreme and intense works.

Terry Riley: In C (2002)  Music

Posted by hopscotch at May 17, 2009
Terry Riley: In C (2002)

Terry Riley - In C (2002)
Classical | EAC (APE, CUE & NO LOG) | 217 MB

There is no doubt that Terry Riley deserves a special place in the history of 20th-century music. When his watershed composition In C was recorded in 1964, very little of its ilk was available. In C is a pulsating exploration of musical tones, all of them surrounding a riveting repetition of a C note on the piano. To simplify the event, its debut was the formal birth of minimalism. While Riley's original CBS recording (as you're about to hear) does have its strong charm, and bragging rights as first-on-the-block, one measure of a piece's greatness is its translatability.

Terry Riley - In C (2002)  Music

Posted by peachfuzz at Nov. 25, 2007
Terry Riley - In C (2002)

Terry Riley: In C (2002)
Classical | EAC (APE & CUE) | 217 MB
Various mirrors: Rapidshare, Depositfiles, Megaupload & more!

There is no doubt that Terry Riley deserves a special place in the history of 20th-century music. When his watershed composition In C was recorded in 1964, very little of its ilk was available. In C is a pulsating exploration of musical tones, all of them surrounding a riveting repetition of a C note on the piano. To simplify the event, its debut was the formal birth of minimalism. While Riley's original CBS recording (as you're about to hear) does have its strong charm, and bragging rights as first-on-the-block, one measure of a piece's greatness is its translatability.
Andrew Downing, Jim Lewis, David Occhipinti - Bristles (2014) {Occdav Music OM007}

Andrew Downing, Jim Lewis, David Occhipinti - Bristles (2014) {Occdav Music OM007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 257 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 300 dpi (png) -> 11 Mb | 5% repair rar
© 2014 Occdav Music | OM007
Jazz / Contemporary Jazz / Post Bop / Modern Creative

Bristles is a new CD from bassist, Andrew Downing; trumpeter, Jim Lewis; and guitarist, David Occhipinti. The CD, is a collection of twelve songs - six jazz standards and six collaborative improvisations dedicated to painters such as Emily Carr and Cy Twombly. Five of the six jazz standards were recorded live from a concert at the Jazz Room in Waterloo, Ontario, where the trio performed in January of 2013. The trio, who are all based in Toronto, Canada, has been performing together since 2008. David Occhipinti produced and mixed Bristles, which is being released on his Occdav Music label.
David Atherton, London Symphony Orchestra - Panufnik: Sinfonia Mistica, Sinfonia di Sfere (2006) (Repost)

David Atherton, London Symphony Orchestra - Panufnik: Sinfonia Mistica, Sinfonia di Sfere (2006)
EAC Rip | FLAC (image+.cue, log) ~ 191.53 Mb | 53:02 | Scans included
Classical | Label: Explore Records (EXP0014)

Inspiration, a word much loved by Romantic novelists writing about composers, would be regarded with some scepticism by the composers themselves. When we say a work is inspired it is a verdict on the music, not a description of the state of mind of the composer; thus the image of Handel composing his Messiah in a mystical frenzy is spoiled by reality — which has him foraging among the manuscripts of Italian love-duets written the previous year for music that could easily be converted into choruses. it is preferable to use the word “stimulus". Debussy’s imagination was stimulated by the sea to write La Mer, Beethoven was stimulated by the concepts of Brotherhood of Man and of Joy to write the Ninth Symphony. Bach was stimulated by the idea of writing pieces in the 24 available major and minor keys, so much so that he did it twice over in the 48 Preludes and Fugues.