Eagerly awaited second ECM album by French-African drummer Manu Katche. Recorded in New York’s Avatar Studio in January 2007, “Playground” picks up where the best-selling “Neighbourhood” left off: in the interim the project has coalesced into a rip-roaring and fully-integrated band. Manu’s group, featuring a Polish/Norwegian confederacy of young players, is energized by his hard driving drums and by his compositions which invite spirited solos… Together, the quintet - whose strong new frontline features Mathias Eick and Trygve Seim - makes exciting, zestful music.
A specially-price limited edition compilation of Manu Katché on ECM. Here the French drummer is joined in performances of his tunes by an outstanding cast of soloists including Jan Garbarek, Tomasz Stanko, Nils Petter Molvӕr, Trygve Seim, Mathias Eick, Marcin Wasilewski, Tore Brunborg, and Jacob Young. Recorded 2004 -2012 in Oslo, New York and Pernes-les-Fontaines, and drawn from his widely acclaimed albums: Neighborhood (ECM1896), Playground (ECM 2016), Third Round (ECM 2156), Manu Katché (ECM 2284)
Keith Jarrett's numerous volumes of improvised solo piano recordings are all treasure troves of spontaneous music making. Documented since the 1970s, they reveal the opening of his music as it readily embraces classical and sacred music influences, filters out what is unnecessary in his technique, and encounters the depth and breadth of the jazz tradition and his own unique abilities as a composer. The four discs in A Multitude of Angels were recorded in as many Italian cities during the last week of October 1996 – some 20 months after the concert captured on La Scala.
After critically-lauded projects with trumpeter Paolo Fresu (Chiaroscuro) and with fellow guitarists Wolfgang Muthspiel and Slava Grigoryan (Travel Guide), Ralph Towner returns to solo guitar for My Foolish Heart. Whether on classical guitar or 12-string guitar Towner’s touch is immediately identifiable. Solo music is an important thread through his rich discography and this new album – recorded at Lugano’s Auditorio Stelio Molo RSI in February 2016 and produced by Manfred Eicher – follows in the great tradition of Diary, Solo Concert, Ana, Anthem, and Time Line. It features finely-honed new compositions as well as a pair of tunes (“Shard” and “Rewind”) from the songbook of Oregon, a dedication to the late Paul Bley (“Blue As In Bley”) and a single standard – Victor Young’s “My Foolish Heart” which Towner first came to love in Bill Evans’s interpretation.
On its third ECM album Vallon again leads the group not with virtuosic solo display but by patient outlining of melody and establishing of frameworks in which layered group improvising can take place. With this group, gentle but insistent rhythms can trigger seismic musical events. Although Vallon (recently nominated for the Swiss Music Prize) is the author of nine of the pieces here, the band members share equal responsibilities for the music's unfolding. The gravitational pull of Patrice Moret's bass and the intense detail supplied by Julian Sartorius's drums and cymbals are crucial to the success of Vallon's artistic concept and the range of emotions the music can convey.
David Darling continues his extraordinary solo cello voyage launched on Journal October (1979) and continued with Cello (1992). The cinematic qualities of Darling's solo music has led to its use in films by Jean Luc Godard and Wim Wenders. Dark Wood inspires a different art form: the CD booklet contains a short story, 'Disturbing the Night', specially written to accompany the music by Barry Lopez, American author of the acclaimed Arctic Dreams. Lopez wrote the story as a literary counterpoint to the evocative music of Dark Wood. The music experiments further with the unique multi-tracking techniques used on Cello, creating haunting harmonies and rich textures.