No one expected the success of Dream Weaver when it was released, but it sailed to the top of the charts, and with good reason. Backed with only drums and a wide assortment of keyboards, Gary Wright crafted instantly recognizable tunes such as the title cut and "Love Is Alive," which caught on and remain staples of classic rock stations around the U.S. All very revolutionary and new at the time, Dream Weaver hasn't lost any of its magic over time.
This two-albums-in-one pack brings us the best of Gary for those who are hardened fans of Spooky Tooth. True, he seduced the American public a few years later with his Dream Weaver single and album, but for many of us that road was a bit too commercial and clearly aimed at the American market. Well done, Gary, for you certainly deserved the recognition of a wider public. But what a pity your first two solo albums were largely ignored, and are so difficult to get hold of. They are hidden treasure. Both Gary Wright's Extraction and Footprint are fine albums.
Gary Malcolm Wright (born April 26, 1943) is an American singer, songwriter and musician, best known for his 1976 hit songs "Dream Weaver" and "Love Is Alive", and for his role in helping establish the synthesizer as a leading instrument in rock and pop music. Wright's breakthrough album, The Dream Weaver (1975), came after he had spent seven years in London as, alternately, a member of the British heavy rock band Spooky Tooth and a solo artist on A&M Records..
Features 24bit digital remastering. Comes with a description. Recorded in New York, New York on April 23, 1962. Originally released on Atlantic (1393). Includes liner notes by Gary Kramer. Digitally remastered by Gene Paul (DB Plus, New York, New York). More driving than "Blues Shout," it was recorded with Kenny Burrell (g).
Excellent addition to any prog rock music collection.
WOW! This record is just a bit less good than Spartacus: mostly, it sounds very similar to Spartacus. The weak point on this album is Barry Palmer's lead vocals, although bearable. "I believe", sounding a bit pop, has good rhythmic piano, Fender Rodes, choir parts and some floating keyboards. The first part of the marvelous "Day in a life" has Fender Rhodes and background floating keyboards sounding like the Gary Wright's "Dream Weaver" track; the second part has a very progressive & melodic piano a la Rick Wakeman: absolutely GRAND; finally, the third part sounds like on the Spartacus album: rhythmic piano, VERY spacy moog, fast drums and bass. The epic "History of mystery part 1" starts with another excellent piano part, followed by heroic & catchy keyboards like on the Spartacus album: Hammond organ and moog; so, this tracks sounds like the best ELP of the early 70's!