Invention No. 13 in A Minor

Gustav Mahler - Iván Fischer - Symphony No. 6 in a minor, 'Tragische' (2005) [Official Digital Download 24bit/192kHz]

Gustav Mahler - Symphony No. 6 in a minor, 'Tragische' (1904)
Budapest Festival Orchestra / Iván Fischer
FLAC (tracks) 24 bit/192 kHz: 2,27 GB | NO Artwork | 5% Recovery Info
Label/Cat#: Channel Classics # CCS 2299 | Country/Year: Netherlands 2005
Genre: Classical | Style: Romantic, Early 20th Century

"However, in contrast to Abbado's boring Berliners, Fischer's orchestra plays better, and he's much better recorded. Just listen to the characterful brass in the coda of the first movement, with a particularly fine first trumpet, or the splendid woodwinds in the trios of the scherzo. (…) for a legitimate alternative viewpoint you will find it difficult to do better than this." ~classicstoday

Artemis Quartet - Schubert: String Quartets No 13-15 (2012)  Music

Posted by peotuvave at Sept. 22, 2015
Artemis Quartet - Schubert: String Quartets No 13-15 (2012)

Artemis Quartet - Schubert: String Quartets No 13-15 (2012)
EAC Rip | Flac (Tracks + cue + log) | 682 MB | MP3 320Kbps CBR | 297 MB | 2 CDs | Full Scans
Genre: Classical | Label: Virgin Classics | Catalog Number: 2512

Following the Artemis Quartet‘s prizewinning Beethoven Quartet cycle on Virgin Classics, the Berlin-based ensemble has recorded Schubert’s last three quartets, works that Artemis cellist Eckart Runge praises for both their “incredible simplicity and purity” and their “almost terrifying modernism”. Awarded both Germany‘s prestigious Klassik ECHO award and France’s Grand Prix de l’Académie Charles Cros in 2011 for their Virgin Classics Beethoven cycle, the members of the Artemis Quartet now release an all-Schubert CD. It presents the composer’s final three string quartets: No 13 in A minor, ‘Rosamunde’ (which draws on his incidental music for Helmina von Chezy’s play Rosamunde); No 14 in D minor, ‘Death and the Maiden’ (with its haunting second movement based on his song Der Tod und das Mädchen), and No 15 in G major.
Glenn Gould - Bach: The Two & Three Part Inventions (1964/2015) [Official Digital Download 24/44]

Glenn Gould - Bach: The Two & Three Part Inventions (1964/2015)
FLAC (tracks) 24-bit/44.1 kHz | Time - 49:51 minutes | 485 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

For many, the albums Glenn Gould recorded for Columbia between 1955 and 1981 are documents of unalloyed genius, particularly in his imaginative and masterful performances of Bach's keyboard works. For others, less enamored of Gould's recondite theorizing, studio editing, and distracting personal eccentricities (such as humming along out of tune while he played), these recordings are nonetheless fascinating documents of an original mind and still worth studying for their undeniable musicality.

Angela Hewitt - Angela Hewitt Plays Bach (15CDs, 2010)  Music

Posted by Discograf_man at April 10, 2017
Angela Hewitt - Angela Hewitt Plays Bach (15CDs, 2010)

Angela Hewitt - Angela Hewitt Plays Bach (15CDs, 2010)
Classical | MP3 CBR 320 kbps | 2,44 Gb | Artwork: 2,91 Mb
Label: Hyperion

'This is a magnificent retrospective of Angela Hewitt’s achievement as a pianist in the keyboard works of J.S. Bach. As a project which was initiated a little before MusicWeb International’s classical pages took to the air but which has been covered extensively by numerous reviewers here over the years, the completion and bringing together of this remarkable set of recordings marks something of a milestone for everyone involved with classical music, as well as for Hyperion'
Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801 (2017)

Karin Kei Nagano - J.S. Bach: Inventions & Sinfonias, BWV 772-801
Classical | MP3 CBR 320 kbps | 54:03 min | 124 MB
Label: Analekta | Tracks: 30 | Rls.date: 2017

Ever since Johann Sebastian Bach wrote this collection of short works for his children and students as a means for mastering fundamental keyboard technique, his “Inventionen and Sinfonien” have remained a basis for keyboard pedagogical practice. In my own case, my piano teacher introduced me to Bach’s “Inventionen and Sinfonien” when my fingers could not even reach an octave. I remember making big arm gestures to reach the intervals that were too broad for my hands. My feet would dangle somewhere in the space between the bench and the pedals. Since that early encounter, these pieces have been a fundamental part of my repertoire and have accompanied my whole musical journey.
Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801 (2016) [TR24][OF]

Thomas Ragossnig - Bach: Inventions & Sinfonias, BWV 772-801
Classical | FLAC (tracks) 24-bit/96 kHz | 51:59 min | 1.10 GB | Digital booklet
Label: Solo Musica | Tracks: 30 | Rls.date: 2016

Harpsichordist Thomas Ragossnig devotes this recording to Bach's Inventions and Sinfonias, delivered in an altered order from the typical ascending scale arrangement. Ragossnig presents his musically more meaningful and attractive sequence on this album for the first time, mixing the Inventions and Sinfonias in the same key and performing them in groups of two or four. The result is an exciting programme that provides an opportunity to linger longer in each key, as in a Baroque suite. Ragossnig zestfully interprets the various musical affections in these miniatures, so that these complex works function as a meaningful and stimulating cycle and not only as contrapuntal references.
Andrey Boreyko - Shostakovich: Symphony No. 8 in C Minor, Op. 65 (2017)

Andrey Boreyko - Shostakovich: Symphony No. 8 in C Minor, Op. 65
Classical, Orchestral, Modern | WEB FLAC (tracks) & d. booklet | 65:53 min | 251 MB
Label: SWR Classic | Tracks: 05 | Rls.date: 2017

This album is one of the most important symphonies by Shostakovich. This is the fifth Shostakovich release featuring the Radio-Sinfonieorchester Stuttgart and Andrey Boreyko. Many considered it a ""wonderful, passionate performance.

Romance in a Minor Key / Romanze in Moll (1943)  Video

Posted by Notsaint at March 12, 2017
Romance in a Minor Key / Romanze in Moll (1943)

Romance in a Minor Key / Romanze in Moll (1943)
DVD5 | VIDEO_TS | PAL | 4:3 | 720x576 | 5400 kbps | 4.1Gb
Audio: #1 German AC3 2.0 @ 224 kbps | Subtitles: English, German, Spanish, French, Italian, Russian
01:38:00 | Germany | Drama, Romance

A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.
Russian National Orchestra - Tchaikovsky: Symphony No.6 in B minor Op.74 ‘Pathetique’ (2011) [SACD ISO+HiRes FLAC]

Russian National Orchestra - Tchaikovsky: Symphony No.6 in B minor Op.74 ‘Pathetique’ (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.14GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Digital Booklet | 1.0GB + 5% Recovery

If one is searching for an extra-musical heading under which to bracket the con- tent of the Symphonies Nos. 4, 5 & 6 by Peter Ilyich Tchaikovsky, one cannot really avoid the word “fate”. Personal fate, to be exact. Thus his Symphony No. 4 (1876-78) was a frank confession straight from the soul, a subtle psychological portrait printed on paper. In a letter to his patroness, Nadezhda von Meck, he talked of “fate, this disastrous power, which prevents our urgent desire for happiness from achieving its objective”. After this, a further 11 years passed before Tchaikovsky attempted to compose another “purely” symphonic work – his Symphony No. 5.
Russian National Orchestra - Tchaikovsky: Symphony No. 5 in E minor Op. 64 (2011) [SACD ISO+HiRes FLAC]

Russian National Orchestra - Tchaikovsky: Symphony No. 5 in E minor Op. 64 (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.54GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Digital Booklet | 1.1GB + 5% Recovery

Following the completion of the 4th’s subtle psychography, 11 years would pass before Pyotr Ilyich Tchaikowsky would return to the composition of a ‘purely’ symphonic work – the 5th Symphony (the composer considered his mighty Manfred Symphony dating from 1885 as his only explicitly programmatic symphony). Despite having just returned from a spectacularly received European concert tour, he commenced the project in a state of complete exhaustion, self-doubt & uncertainty. From his new country residence in Klin, he wrote in the spring of 1888: “I frequently have doubts about my own abilities & wonder if it is not time to stop, & if my creativity has not been stretched to the limit.” His comments in a letter to his benefactor, Nadeshda von Meck, in June, are similar; he fears that “the well may be dry.”