Richie Cole meets up with fellow altoist Hank Crawford on a spirited concert set. With guitarist Emily Remler, bassist Marshall Hawkins and drummer Victor Jones, Cole and Crawford romp on such numbers as "Confirmation," "Fantasy Blues," "Samba De Orpheus" and "Cherokee." This jam session date has its exciting moments and is easily recommended to bebop fans.
Most popular to theater audiences from his title role in Andrew Lloyd Webber's version of The Phantom of the Opera, Michael Crawford was in fact a star of the British stage and screen for almost two decades before that. Born in Wiltshire, England, in 1942, he began singing in the school choir and, while still a teenager, changed his name from Dumble-Smith to the more charismatic Crawford and began working in radio, television, and film. After first stepping on the London stage in the early '60s, Crawford's first regular television series was the BBC's 1960s show Not So Much a Programme, More a Way of Life…
Randy (born Veronica Crawford) is a brilliant American soul singer who had a UK top five hit (Street life) as un-credited vocalist with the Crusaders in 1973, then had two UK top five hits (One day I'll fly away, Almaz) in the eighties as a solo singer. Randy never achieved this level of success in her homeland. Apart from those three major hits, Randy had two other UK top twenty hits (You might need somebody, Rainy night in Georgia) and several minor hits, three of which (Imagine, Secret combination, One hello) are included here. Most of the songs here are originals but, with her outstanding voice, Randy is a great interpreter of other people's songs, as this collection shows. This collection truly is the very best of Randy Crawford, one of the finest soul singers there has ever been.
Features 24 bit remastering and comes with a mini-description. When Ray Charles' musical director has the words "blues" and "soul" in large type on the covers of his own releases, there's a strong chance that's what the listener will find inside. The Mr. Blues set from 1968 is Crawford and a small horn section playing rocking blues riffs with a crack rhythm section. Instrumental R&B doesn't get much hipper. Crawford's tough but lyrical sound – informed by a bebopper's command and facility – is tailor-made for this blues-charged music. Highlights include the title track, a cool, finger-popping "Route 66," a sleazy, churning "Lonely Avenue," and a couple of no-nonsense Crawford originals. A middle-of-the road "On a Clear Day (You Can See Forever)" is the only departure from the set's satisfyingly gritty feel.
The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. ‘Listen to the way Jamal uses space. He lets it go so that you can feel the rhythm section and the rhythm section can feel you. It’s not crowded. Ahmad is one of my favourites. I live until he makes another record.’ Miles Davis, 1958. The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. Jamal’s trios are considered to be amongst the most important in the history of jazz, creating unique articulations of space, openness and light, which still seem so far ahead of their time and which made such a profound impression on Miles Davis and his arranger, Gil Evans.