Not all of the Liszt Hungarian Rhapsodies are flat-out showpieces like the best-known ones, so this disc makes for a better listening program than you might expect. And Jénö Jandó, who must be the hardest-working pianist in the recording business, has a real flair for this music. He plays with the combination of free rhythms and virtuosity that the music demands, and he even indulges in a bit of improvisation when the spirit moves him. This was probably something Liszt did himself, and other great Liszt interpreters such as Rachmaninov and Cziffra have done the same thing. Jandó doesn't quite have Cziffra's overwhelming virtuosity, but he plays musically and the result is a highly entertaining disc.
Franz Liszt composed little chamber music, though the handful of pieces he wrote or arranged for violin and piano represent his enduring interest in that combination, from the Grand Duo concertant (1835/49) to La lugubre gondola (1882-83). This program by violinist Ulf Wallin and pianist Roland Pöntinen offers those pieces and five more selections that demonstrate Liszt's fondness for passionate, long-breathed melodies in the Magyar vein and turbulent accompaniments that allowed for virtuosity. The standout track of this hybrid SACD is the arrangement of the Hungarian Rhapsody No. 12 (ca. 1850), which gives a full treatment to those characteristics, and provides Wallin and Pöntinen their most dazzling displays. While the moods of the surrounding pieces are for the most part lyrical and subdued, the performances are compelling and the sound of the recording is close-up and focused, with the presence and clarity of a recital.
The Naxos team consisting of pianist Jenö Jandó, the chamber orchestra Concentus Hungaricus and conductor Mátyás Antal came together again in May, June and July 1990 in order to record this, 11 volumes of the Naxos Complete Mozart Piano Concertos, and it seems to me that they had lost nothing of the impetus created by the previous issues, most of which were definite five-star material.
So what if Liszt spent most of his life in France and Germany and never learned to speak Hungarian? The music of the Magyars' fiery favorite son played by a hot-blooded local boy is an irresistible combination. Even the delightful Dohnanyi filler (variations on ''Twinkle, Twinkle, Little Star'') doesn't really douse the flames. Put it in the CD player and let 'er rip! Just be sure to remove all flammable vestments first. (Entertainment Weekly)
Whilst Liszt’s piano music derived from music for plays is a much smaller body of work than his catalogue of operatic pieces, the approach in his methods of composition, elaboration and transcription remains broadly the same. As far as present Liszt scholarship permits one ever to be categorical, this recording contains all of Liszt’s works in this genre.
This well recorded disc from 1987 delivers truly exciting performances of all three works in typically crisp manner by Zimerman. Ozawa and the Boston orchestra give excellent support. The emphasis here is on excitement largely created by fast speeds delivered with clarity. The more gentler parts of all three works are played with due regard to sensitivity but there is no denying that in these recordings these works are seen as primarily as virtuoso display works and that is what we are given.