Julian Priester

Julian Priester - Love, Love (1974) {ECM 1044}  Music

Posted by tiburon at June 30, 2012
Julian Priester - Love, Love (1974) {ECM 1044}

Julian Priester - Love, Love (1974) {ECM 1044}
EAC 0.95b4 | FLAC tracks level 8| Cue+Log+M3U | Full Scans 300dpi | 278MB + 5% Recovery
MP3 CBR 320 Kbps | 112MB + 5% Recovery
Genre: Jazz, Fusion

Trombonist Julian Priester, after playing with many different groups, including those of Sun Ra, Lionel Hampton, Dinah Washington, Max Roach, and Duke Ellington, was a member of the Herbie Hancock Sextet during 1970-1973. Hancock's intriguing ensemble went from funk to free blowing, and in its later period was experimenting with synthesizers. On Love, Love, Priester continues in that vein. The two lengthy improvisations are mostly on one-chord repetitive rhythmic vamps stated by the bass, featuring sound explorations and plenty of electronics. Only on the last half of the second medley does Priester himself emerge a bit from the electronic sounds. One is reminded of Bitches Brew, since that is an obvious influence, but also Hancock's group and Weather Report.

Julian Priester & Marine Intrusion - Polarization - 1977 [ECM 1098]  Music

Posted by peter happy at Oct. 24, 2008
Julian Priester & Marine Intrusion - Polarization - 1977 [ECM 1098]

Julian Priester & Marine Intrusion - Polarization [ECM 1098]
mp3 mixed | 51,4 mb| RS.com
ECM | Jazz

Julian Priester & Pepo Mtoto - Love, love  Music

Posted by peter happy at Oct. 14, 2008
Julian Priester & Pepo Mtoto - Love, love

Julian Priester & Pepo Mtoto - Love, love [ECM 1044]
mp3 200 vbr | 56 mb
ECM | Jazz

Julian Preister Pepo Mtoto - Love, Love (1974) Reissue 2005  Music

Posted by Designol at Feb. 5, 2017
Julian Preister Pepo Mtoto - Love, Love (1974) Reissue 2005

Julian Preister Pepo Mtoto - Love, Love (1974) Reissue 2005
EAC | FLAC | Tracks (Cue&Log) ~ 290 Mb (incl 5%) | Mp3 (CBR320) ~ 119 Mb (incl 5%) | Scans included
Jazz Fusion, Jazz-Funk, Post-Bop | Label: ECM | # ECM 1044, 987 1773 | Time: 00:37:54

Trombonist Julian Priester, after playing with many different groups, including those of Sun Ra, Lionel Hampton, Dinah Washington, Max Roach, and Duke Ellington, was a member of the Herbie Hancock Sextet during 1970-1973. Hancock's intriguing ensemble went from funk to free blowing, and in its later period was experimenting with synthesizers. On Love, Love, Priester continues in that vein. The two lengthy improvisations are mostly on one-chord repetitive rhythmic vamps stated by the bass, featuring sound explorations and plenty of electronics. Only on the last half of the second medley does Priester himself emerge a bit from the electronic sounds. One is reminded of Bitches Brew, since that is an obvious influence, but also Hancock's group and Weather Report. The music develops slowly, but listeners with patience will enjoy the blending of the many different voices in this unusual musical stew.
Der erste Stein: Als homosexueller Priester gegen die Heuchelei der katholischen Kirche

Krzysztof Charamsa, "Der erste Stein: Als homosexueller Priester gegen die Heuchelei der katholischen Kirche"
2017 | ISBN: 3570103277 | German | 320 pages | EPUB | 0.4 MB

Herbie Hancock - Sextant (1973)  Music

Posted by uff at April 14, 2017
Herbie Hancock - Sextant (1973)

Herbie Hancock - Sextant (1973)
Jazz | 1cd | EAC Rip | Flac + Cue + Log | covers
Columbia/Legacy, CK 64983 | rem: 1998 | 305Mb

When Herbie Hancock left Warner Bros. in 1971 after releasing three musically sound but critically and commercially underappreciated albums – The Crossing, Mwandishi, and Fat Albert's Groove – he was struggling. At odds with a jazz establishment that longed for his return to his Blue Note sound and a fierce consciousness struggle with free music and the full-on embrace of electricity since his tenure with Miles Davis, Hancock was clearly looking for a voice.
Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016) [24bit/192kHz]

Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 125:04 minutes | 5,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

This release includes Herbie Hancock's music from 1969-1971 for the Warner Brothers label, released originally as three albums, one of Herbie Hancock's most creative periods. The earliest album, Fat Albert Rotunda, features a fine sextet highlighted by tenor saxophonist Joe Henderson, like Hancock a master at maintaining strong rhythmic grooves while stretching outward. The later music, with a regularly working band, becomes increasingly expansive and exploratory. Like Miles Davis on Bitches Brew, Hancock was increasingly interested in layering rhythms and textures, emphasizing percussion, electric keyboards, and potent soloists, and broadening his palette of sounds to eventually include synthesizers. There are significant contributions from the inspiring drummer Billy Hart and some potent, if neglected, soloists in multireed player Bennie Maupin (also on Bitches Brew) and trombonist Julian Priester (a Sun Ra associate), who also provided the extended compositions "Water Torture" and "Wandering Spirit Song," respectively. This is a sometimes overlooked period in Hancock's music, bracketed by the quality of his earlier acoustic music, both with Davis and as a leader on Blue Note, and his later commercial success, but it's some of his most innovative work.
Tommy Turrentine - Tommy Turrentine (1960) {2003, Hybrid SACD, Audio Fidelity AFZ 007}

Tommy Turrentine - Tommy Turrentine (1960) {2003, Hybrid SACD, Audio Fidelity AFZ 007}
EAC Rip | FLAC (Img) + Cue + Log ~ 256 Mb | MP3 CBR320 ~ 100 Mb
Scans (JPG, 600 dpi) ~ 32 Mb | RAR 5% Recovery
Jazz, Hard Bop | Audio Fidelity #AFZ 007 | Mastered for SACD by Steve Hoffman

When he recorded this album, his lone date as a leader, trumpeter Tommy Turrentine (who was a member of Max Roach's group along with his brother, the soon-to-be famous tenor Stanley Turrentine) seemed to have a potentially great future. Unfortunately, ill health would eventually force his retirement. Turrentine's set for Time (which has been reissued on CD by Bainbridge) actually features the musicians of Roach's quintet (including brother Stanley, trombonist Julian Priester, bassist Bob Boswell, and Roach himself) plus pianist Horace Parlan. The trumpeter contributed five of the seven songs (which are joined by Horace Parlan's "Blues for J.P." and Bud Powell's "Webb City") on this fine straight-ahead hard bop set. All of the musicians play up to par and the results are swinging and fit securely into the modern mainstream of the time.

Abbey Lincoln - Straight Ahead (1961) Reissue 1990  Music

Posted by Designol at Nov. 7, 2016
Abbey Lincoln - Straight Ahead (1961) Reissue 1990

Abbey Lincoln - Straight Ahead (1961) Reissue 1990
EAC | FLAC | Tracks (Cue&Log) ~ 229 Mb (incl 5%) | Mp3 (CBR320) ~ 100 Mb (incl 5%) | Scans included
Vocal Jazz, Post-Bop | Label: Candid | # CCD 79015 | Time: 00:39:13

Reissued several times since it originally came out on a Candid LP, this is one of Abbey Lincoln's greatest recordings. It is a testament to the credibility of her very honest music (and her talents) that Lincoln's sidemen on this date include the immortal tenor saxophonist Coleman Hawkins (who takes a memorable solo on "Blue Monk"), Eric Dolphy on flute and alto, trumpeter Booker Little (whose melancholy tone is very important in the ensembles), pianist Mal Waldron, and drummer Max Roach. Highpoints include "When Malindy Sings," "Blue Monk," Billie Holiday's "Left Alone," and "African Lady".

Stanley Turrentine - Return Of The Prodigal Son (1967)  Music

Posted by TmanHome at Oct. 20, 2016
Stanley Turrentine - Return Of The Prodigal Son (1967)

Stanley Turrentine - Return Of The Prodigal Son (1967)
Jazz, Hard Bop, Soul Jazz | MP3 320 kbps CBR | 58 min | 135 MB
Label: Blue Note | Rel: 1967

I'm certainly no jazz authority, but I love most of the stuff the Blue Note label put out in the 1960s and early 70s, including the albums by Stanley Turrentine. For my tastes, his sound was a nice compromise between the harder, avant-garde players and the more mainstream types. Turrentine had a nice tone and also had the knack for mixing original material with tasteful (although sometimes predictable) cover tunes. Unlike the other reviewer, I'm not much bothered by his cover of "Ain't No Mountain High Enough" on this album. Certainly, it's as acceptable as his version of another much-covered tune, "The Look of Love," though perhaps not as adventerous in execution. All of the tunes on this CD were recorded in 1967 and produced by Duke Pearson, boasting a stellar lineup of sidemen, including Julian Priester, Joe Farrell, McCoy Tyner, Blue Mitchell, James Spaulding, and even Duke Pearson handling organ duty on two tracks. Fans of Turrentine's 60s Blue Note recordings should enjoy this CD as well.