Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Ben Webster plays live in Harlem – not the uptown scene in New York, but the Dutch city that became a surprisingly strong showcase for American players overseas! The date's got that easygoing style of some of Webster's best late live performances – a laidback rhythm trio, and Ben himself blowing these raspy, blue-tinged notes that are full of feeling – even when in a familiar setting – that quality that can make even subtle handling of a standard pop out with such Webster-like charm! The group features Tete Montoliu on piano, Rob Langereis on bass, and Tony Inzalaco on drums – and titles include "Stardust", "How Long Has This Been Going On", "Sunday", "For All We Know", and "Perdido".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Lionel Hampton was always at his best in a concert setting and this 1979 performance in Haarlem, the Netherlands, is not exception. Fronting a tentet consisting of both veterans and younger musicians, the vibraphonist's energy is contagious to both his band and the audience. The opener, "Glad Hamp" is a furious reworking of the chord changes to "I Got Rhythm," showcasing trumpeter Joe Newman.
Reissue with the latest remastering. Features original cover artwork. A mighty nice set from pianist Cees Slinger – a live performance from a very hip octet – a group who can come on with ensemble fury one minute, then play like a small combo the next! Slinger's choice of musicians is wonderful – and includes Dusko Goykovich on trumpet, Fredinand Povel on alto and soprano, and Ruud Brink on tenor – all musicians who really make the sound sparkle with their solos, but can also slide nicely into the context of the rest of the group, too – in the manner that Povel and Goykovich were so good at on performances for MPS. There's a great sense of color throughout – really showing off Slinger's skill as an arranger – and titles include "Never Forever", "From Way Back", "Changing Colours", "Fee Fi Fo Fum", and "Killer Joe".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Solidly soaring work from tenorist George Adams – recording live here with pianist Don Pullen, one of his best musical partners during the 80s! The album's got a bit more of a bite than some of the pair's studio sessions – a bit straighter overall, but recorded with a nice degree of energy, and some long tracks that really let both players open up nicely – in a combo that also features John Scofield on guitar, Cameron Brown on bass, and Dannie Richmond on drums. The inclusion of Scofield's guitar changes up the group's sound in a nice way – adding in some more chromatic elements that really stand out – and titles include "IJ", "Flame Games", "Song Everlasting", and "Forever Lovers".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Nat Adderley's not actually busking in the subway – but instead playing a smoking little set at the Subway Nightclub in Cologne – working with an excellent group that includes Vincent Herring on alto sax, and some excellent rhythm work from the trio of Rob Bargad on piano, Walter Booker on bass, and Jimmy Cobb on drums! The tunes are all nice and long, and have a stretching, soulful feel that's really great – and which gets past the "classic" soul jazz cliches that can sometimes mar other Adderley albums from later years. Nat's in fine fine form, and Herring seems to help him unwind in a hip groove that's really carried off well – and the album's got a richness that easily makes it one of the best later sessions from Nat you can find! Titles include "The Chant", "Almost Always", "The Big J", "Plum Street", and "The Scene".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Beautiful solo work from pianist Mike Nock – a set that's got some of the dark edges and dynamic energy of Nock's previous 70s recordings – but an album that also shows some newly lyrical elements as well! Some passages have Mike hitting the keys with the sort of frenzied creation he reached on fusion recordings – but with wonderful results on the acoustic piano – and other moments have this enhanced sense of melody that makes for very beautiful, expressive passages – maybe a touch more sentiment than the younger Nock would have allowed himself, but never in a way that's soppy or overdone. The balance in these modes is great – and reminds us that Nock can be equally compelling a solo performer as he is in a group – on titles that include "Enchanted Garden", "Polyhedron", "Fallen Angel", "California Country Song", "Soliloquy", and "Jacanori".
Reissue with the latest remastering. Features original cover artwork. The 1978 Jazz Messengers was one of Art Blakey's strongest groups in years, although it would soon be overshadowed by its successor (which introduced a young Wynton Marsalis). With trumpeter Valerie Ponomarev, altoist Bobby Watson and a tenor saxophonist forming a potent frontline and new material from each of the principals (plus pianist James Williams) in addition to a lengthy ballad medley, this is a fine all-around set, last available on LP.
Reissue with the latest remastering. Features original cover artwork. The music of Charles Mingus – played by a great small combo headed up by Dannie Richmond, Mingus' drummer for over 20 years! The group on the set features members from Charles' last band – and is a quintet with Ricky Ford on tenor, Jack Walrath on trumpet, Bob Neloms on piano, and Cameron Brown on bass. Tunes are taken in a gentler, and more open-handed version than used on the original recordings – a style that's a nice contrast to that of Mingus, replacing the strength of his vision with a warmth and sensitivity that makes the tunes sparkle nicely. Titles include "Fables Of Faubus", "Goodbye Pork Pie Hat", "Nostalgia In Times Square", and "Duke Ellington Sound Of Love".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. An overlooked spiritual jazz gem from the 70s – recorded for the Dutch Timeless label, but done in a mode that sparkles with the energy of Strata East at the time! Guitarist Rodney Jones is in some wonderfully hip company for the set – a lineup that includes Kenny Kirkland on piano, Wallace Roney on trumpet, Bob Mintzer on tenor, and Arthur Blythe on alto – all blowing together beautifully with a freely-soaring spiritual energy that reminds us a lot of some of Gary Bartz' more jazz-based albums of the time.