Lydia Mordkovitch, Rsno, Neeme Jarvi Taneyev Suite de Concert; Rimsky Korsakov Fantasy on Russian Themes (2008)

Lydia Mordkovitch, RSNO, Neeme Jarvi - Taneyev: Suite de Concert; Rimsky-Korsakov: Fantasy on Russian Themes (2008)

Sergei Taneyev: Suite de Concert; Nikolai Rimsky-Korsakov: Fantasy on Russian Themes (2008)
Lydia Mordkovitch, violin; Royal Scottish National Orchestra, conducted by Neeme Järvi

EAC | FLAC | Image (Cue&Log) ~ 281 Mb (incl 5%) | Mp3 (CBR320) ~ 159 Mb (incl 5%) | Scans included
Genre: Classical | Label: Chandos | # CHAN 10491 | Time: 01:04:52

This disc offers works for violin and orchestra from Russian contemporaries and friends Rimsky-Korsakov and Taneyev. Described here as ‘Violin Concertos’ the first score is Rimsky-Korsakov’s Fantasy on Russian Themes based on old Russian folk-tunes. Taneyev is represented by his Suite de Concert a work that inhabits the world of old European dance forms from the baroque period.
Carpe Diem String Quartet - Sergey Ivanovich Taneyev: Complete String Quartets Vol. 1 (2007)

Carpe Diem String Quartet - Taneyev: String Quartets Nos. 1 and 3 (2007)
EAC | FLAC | Image (Cue&Log) ~ 292 Mb (incl 5%) | Mp3 (CBR320) ~ 150 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.570437 | Time: 01:01:37

A pupil of Tchaikovsky, whom he replaced at the Moscow Conservatory, Sergey Taneyev was a virtuoso pianist and a teacher of Scriabin and Rachmaninov. Although as a composer Taneyev is best known today for his four symphonies, he also composed a sizeable body of chamber music, including six String Quartets. These beautifully crafted works are marked by technical assurance at every turn, as well as dramatic inspiration and intense lyricism. The masterly five-movement Quartet No. 1, in fact Taneyev’s Fifth, includes two notable slow movements, while the lighter Quartet No. 3 features a graceful theme with eight variations, alternately playful and contemplative.
Carpe Diem String Quartet - Sergey Ivanovich Taneyev: Complete String Quartets Vol. 4 (2015)

Carpe Diem String Quartet - Sergey Ivanovich Taneyev: Complete String Quartets Vol. 4 (2015)
EAC | FLAC | Image (Cue&Log) ~ 305 Mb (incl 5%) | Mp3 (CBR320) ~ 164 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.573470 | Time: 01:05:39

A pupil of Tchaikovsky, who called him the ‘Russian Bach’, Sergey Taneyev is best known today for his four symphonies, although he also composed a sizeable body of chamber music, including nine complete String Quartets. Quartet No. 9 is a memorably melodic work, while the beautifully crafted Quartet No. 6, his last completed quartet, is rather more austere, though marked by a playful Jig, and even more masterful in construction.
Hughes de Courson - O'Stravaganza: Fantasy on Vivaldi and the Celtic music of Ireland (2001)

Hughes de Courson - O'Stravaganza: Fantasy on Vivaldi and the Celtic music of Ireland (2001)
EAC | FLAC | Tracks (Cue&Log) ~ 377 Mb (incl 5%) | Mp3 (CBR320) ~ 156 Mb (incl 5%) | Scans included
Celtic Fusion, Classical Crossover | Label: Virgin Classics | # VC 545494-2 | Time: 00:42:24

This is not such a bizarre cross-over as one might imagine for in the 18th century the great Irish musician Turlough O’Carolan, a blind harpist, met the Italian musician Geminiani in Dublin, and through him encountered the music of, yes, guess who, Antonio Vivaldi. So here we have a case of substituting Irish instruments for baroque ones, using baroque instruments to accompany Irish themes, by creating dialogues between Celtic and baroque instruments, or by letting all the musicians improvise. One moment we appear to be listening to a ‘straight’ baroque concerto, then all of a sudden the conventional string continuo/ripieno of the baroque ensemble (Le Orfanelle della Pieta) gives way to celtic musicians playing a jig or reel on anything from a Irish bouzouki to a fiddle. The baroque group consists of three each of first and second violins, one viola, two cellos, a bass and harpsichord while the Irish musicians play Irish fiddle, an Irish flute (like a baroque flute), tin and low whistles, Uileann pipes, Irish bouzouki, mandolins, bodhran, bones, and the Celtic harp (played here with metal strings to resemble its harpsichord counterpart in the other group).
Coleridge-Taylor - Hiawatha's Wedding, Petite Suite de Concert, The Bamboula.

Coleridge Taylor - Hiawatha's Wedding, Petite Suite de Concert, The Bamboula. Philharmonia (Sargent, Weldon) & Bournemouth SO (Alwyn)
2005 | Classical | FLAC and mp3 | 1CD | No booklet, link to vocal score | Split rar archives | FLAC 275 MB | mp3 78 MB

A remastered version of Sir Malcolm Sargent and the Philharmonia Orchestra's famous 1962 recording, accompanied by two similarly excellent performances of the composer's less-well known work.
Royal Scottish National Orchestra / Neeme Jarvi - Wagner: Parsifal (2010) [SACD ISO+HiRes FLAC]

Royal Scottish National Orchestra / Neeme Jarvi - Wagner: Parsifal (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Front Cover | 3.29GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.08GB + 5% Recovery

Most of the familiar orchestral versions of Richard Wagner’s operatic music were arranged either by him or his followers in the 19th century, so the Overture & Venusberg Music from Tannhäuser & the Prelude to Act III from Lohengrin have long been performed in these special concert formats. But the main work of this SACD is the 1993 suite arranged by Henk de Vlieger, Parsifal, an Orchestral Quest, which is a fresh adaptation of the key moments from Wagner’s final music drama. The work was commissioned by the Netherlands Radio Philharmonic Orchestra, after de Vlieger, the ensemble’s percussionist, had successfully arranged music from Wagner’s Der Ring des Nibelungen into a similar orchestral vehicle for them. Parsifal, an Orchestral Quest was premiered on RCA in 1997 by Edo de Waart, & Neeme Järvi leads the 2nd recorded performance on this 2010 release on Chandos.

Sanderling - Taneyev: Oresteia Overture & Interlude, Canzona (2009)  Music

Posted by peotuvave at Sept. 15, 2015
Sanderling - Taneyev: Oresteia Overture & Interlude, Canzona (2009)

Sanderling - Taneyev: Oresteia Overture & Interlude, Canzona (2009)
EAC Rip | Flac (Image + cue + log) | 384 MB | MP3 320Kbps CBR | 177 MB | 1 CD | Full Scans
Genre: Classical | Label: Naxos | Catalog Number: 8570584

The Temple of Apollo at Delphi is the best-known excerpt from Taneyev’s only opera, Oresteia, the mammoth overture to which has all the force of a Romantic symphonic poem. His Overture on a Russian Theme is based on the same folksong that Rimsky-Korsakov used in his own Fantasy on Russian Themes while the shorter works demonstrate in various ways Taneyev’s scrupulous craftsmanship.
Rimsky-Korsakov: Golden Cockerel Suite, May Night Overture - Markevitch, Orchestre Lamoureux (2012)

Rimsky-Korsakov: Golden Cockerel Suite, May Night Overture - Markevitch, Orchestre Lamoureux (2012)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 365 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 001739302

n these days of big boxes, DG really ought to gather together everything Markevitch did and issue it as a set. He was a genius, and his recordings with the Lamoureux Orchestra, especially, combine interpretive brilliance with a classic French instrumental style that no longer exists. They are irreplaceable, and the playing here is amazing. Rimsky-Korsakov’s music demands just the sort of diamond-like precision and clarity that was Markevitch’s stock in trade as a conductor. There are more raucous, more traditionally Russian versions of The Golden Cockerel Suite available (Järvi’s for example), but none that point up the music’s anticipations of Stravinsky so compellingly. Both here and in the May Night Overture, Rimsky-Korsakov becomes a prophetically modern master.
Goetzel, Borusan Istanbul Philharmonic - Rimsky-korsakov: Scheherezade; Balakirev: Islamey (2014)

Goetzel, Borusan Istanbul Philharmonic - Rimsky-korsakov: Scheherezade; Balakirev: Islamey (2014)
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.47 GB
Genre: Classical | Official Digital Download - Source: HDtracks

Since it was founded, the Borusan Istanbul Philharmonic Orchestra has worked to develop not only as a symphony orchestra but as a showcase for music from different traditions – a multicultural mosaic where each little stone is carefully placed with the utmost respect for its neighbour, making a unique contribution to its surroundings. Our first two CDs have reflected this, combining music of composers from different backgrounds with a similar musical language. We now embark on another exploration of the eastern musical roots of Europe in the late 19th and first half of the 20th century, identifying elements of the eastern side of the Bosphorus which have influenced the Western cultural background of most of these composers.
Greetings From Russia - Czech Orchestras perform Russian Works (1988)

Greetings From Russia - Czech Orchestras perform Russian Works (1988)
EAC Rip | FLAC (img + cue), LOG | TT 67:58 | Covers (jpg 300 dpi) | RAR 358 MB (3% Recovery)
Supraphon | Czechoslovakia | 11 0622-2 011 | 1988

The birth of Russian national music culture in the 19th century is closely connected with Glinka. Balakirev was one of the initiators of the group in which musicians of varying creative inclinations & abilities came together. The oriental element is very evident in works by Borodin & he makes effective use of the exotic sound world in his only opera Prince Igor. Rimsky-Korsakov is represented as a composer in his own right on this recording by his overture Russian Easter Festival (1888). Tchaikovsky was not a member of the "Mighty Five", unlike the composers already mentioned, but he too strove to write works in which typical national features were prominent.