Mitsuko Uchida Mozart Piano Concertos Nos.17 & 25 (2016)

Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25 (2016)  Vinyl & HR

Posted by SERTiL at Nov. 2, 2016
Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25 (2016)

Mitsuko Uchida - Mozart: Piano Concertos Nos.17 & 25
Classical | FLAC (tracks) 24-bit/96 kHz | 67:18 min | 1.12 GB | Front Cover
Label: Decca (4830716) | Tracks: 06 | Rls.date: 2016

Arguably the world’s greatest Mozart interpreter plays and conducts two of his most popular piano concerti.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Mozart: Piano concertos Nos. 17, 20, 21, 23, 24 - Rubinstein; RCA Victor Symphony Orchestra; Krips; Wallenstein

W. A. Mozart: Concertos for Piano and Orchestra No. 17 K. 453; No. 20 K. 466; No. 21 K. 467; No. 23 K. 488; No. 24 K. 49 -
Artur Rubinstein, piano; RCA Victor Symphony Orchestra; Alfred Wallenstein and Josef Krips, conductors

Classical | 2 CDs | EAC V0.99 prebeta 3 Rip | 720 Mb | FLAC+LOG+M3U No cue | Full scans | RapidShare links
Publisher: RCA/BMG

Editorial Reviews
Amazon.com
It's a shame Rubinstein didn't record more of Mozart's music, for his obvious affinity for the composer shines through these 1958-1960 stereo recordings of five concertos. Rubinstein's Mozart is forthright–he refuses to sentimentalize by swooning over the music's beauties or to indulge in larger-than-life playing that would rupture its classical framework. Even in the famous Andante of the 21st Concerto, his melting legato traces the curve of the melody without excess. Moderation was his byword, so while there are times one could wish for over-the-top risk taking–a more unbuttoned Allegro of the K. 453, a tad more melodrama in the first movement of the K. 466, some extra sizzle in the outer movements of K. 488–what we have is built to last for the long term. These are performances you can't get tired of. There's a general sense of rightness about tempo choices, and everything, from the singing tone to the exquisite phrasing to the perfectly managed transitions, reflects a master pianist playing music he feels deeply. The accompaniments are fine and the transfers significantly improved over past issues.
–Dan Davis

Mozart · Piano Concertos Nos. 17 & 21  Music

Posted by platico at March 19, 2009
Mozart · Piano Concertos Nos. 17 & 21

Mozart · Piano Concertos Nos. 17 & 21 · Maria Joao Pires · COE · Claudio Abbado
APE+CUE 213 MB | MP3 HQ (tracks) 102 MB | Easy CD-DA 12 | Booklet | No Log | 1995
Mitsuko Uchida & Cleveland Orchestra - Mozart: Piano Concertos No. 17, K. 453 & No. 25, K. 503 (Live) (2016)

Mitsuko Uchida & Cleveland Orchestra - Mozart: Piano Concertos No. 17, K. 453 & No. 25, K. 503 (Live) (2016)
Classical | MP3 CBR 320 kbps | 01:07:18 | 154 MB
Label: Decca

Arguably the worlds greatest Mozart interpreter plays and conducts two of his most popular piano concerti.
Mitsuko Uchida, Vladimir Ashkenazy, Homero Francesch - Mozart: Piano Concertos: Nos. 9, 12, 26 (2013/1989-90)

Mozart - Piano Concertos: Nos. 9, 12, 26 (Mitsuko Uchida, Vladimir Ashkenazy, Homero Francesch) (2013/1989-90)
NTSC 4:3 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 6.89 Gb (DVD9) | 95 min
Classical | EuroArts

Mozart, who composed 21 piano concerti, can be regarded as the “inventor” of the popular piano concerto. Although J.S. Bach and his son had written numerous concerti for harpsichord or fortepiano and orchestra before him, Mozart’s enormous input to the genre is mostly due to his concerti being regarded as ‘popular music’ by his contemporaries: to be enjoyed and quickly replaced by newer works. For this series on four DVDs, the most influential, the most artistically challenging and the most popular piano concerti have been selected to be performed by the best Mozart interpreters of our time. Volume I features pianists Mitsuko Uchida, Vladimir Ashkenazy and Homero Francesch each performing a concerto representing a different stage in Mozart's life. The performances on this DVD were shot in highly attractive baroque venues – at the Mozarteum, Salzburg, in Hampton Court Palace, London and in the Christian-Zais-Saal, Wiesbaden – capturing the atmosphere of a performance in Mozart’s lifetime.
Michael Alexander Willens - Mozart: Piano Concertos Nos. 1-4 "Pasticcio Concertos" (2016)

Michael Alexander Willens - Mozart: Piano Concertos Nos. 1-4 "Pasticcio Concertos"
Classical | WEB FLAC (tracks) & d. booklet | 58:28 min | 249 MB
Label: BIS | Tracks: 12 | Rls.date: 2016

Final disc in Ronald Brautigam's traversal of Mozart's piano concertos. Throughout the ten previous discs in their series of Mozart's complete piano concertos, Ronald Brautigam and Die Kölner Akademie have offered up fresh, sometimes bracing readings of these perennial favourites. 'An ideal mixture of clarity and stylish effervescence' (International Record Review), 'as near as dammit what Mozart's audiences would have heard' (Classic FM Magazine) and 'a completely new, crisp 'Mozart-feel' for the 21st century' (Stereoplay) are just some of the responses from the international music press.
Rudolf Serkin, Claudio Abbado - Mozart: Piano Concertos Nos. 20 & 12 (1982)

Rudolf Serkin, Claudio Abbado - Mozart: Piano Concertos Nos. 20 & 12 (1982)
EAC | FLAC (tracks+.cue, log) | Covers Included | 58:14 | 247 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 400 068-2

This new recording of…the great D minor, K466, made last November with the LSO under Abbado, is immensely welcome. The old magic is still there: the ability to make every semiquaver in a run count: the way he can invest even quite 'innocent' music…with real meaning and character; the pathos and lyricism he brings to the slow movements; and the tension and drama he reveals in the outer movements of K466.
Christoph Soldan & Silesian Chamber Soloists - Mozart: Piano Concertos Nos. 11 & 12 (Arr. for Piano & String Quintet) (2017)

Christoph Soldan & Silesian Chamber Soloists - Mozart: Piano Concertos Nos. 11 & 12 (Arr. for Piano & String Quintet) (2017)
Classical | MP3 CBR 320 kbps | 00:43:45 | 101 MB
Label: K&K Verlagsanstalt

World-class pianist Christoph Soldan is joined by the Silesian Chamber Soloists for this recording of Mozart's Piano Concertos Nos. 11 and 12. Recorded live at the UNESCO World Heritage Site of Maulbronn Monastery, Soldan and the Soloists drawn from the Silesian Philharmonic Orchestra in Katowice perform an intimate version of the concertos for piano and string quintet, imbuing these pieces with renewed sensitivity which nevertheless loses none of the invigorating spirit of the familiar orchestral versions.
Martin Stadtfeld - Mozart: Piano Concertos Nos. 1 & 9, Pieces from London Sketchbook (2015) [Official Digital Download]

Martin Stadtfeld - Mozart: Piano Concertos Nos. 1 & 9, Pieces from London Sketchbook (2015)
FLAC (tracks) 24-bit/48 kHz | Time - 102:28 minutes | 943 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Für seine erste, sehr erfolgreiche Aufnahme mit Klavierkonzerten Mozarts hat Martin Stadtfeld von der Presse großes Lob bekommen. Jetzt widmet er sein neues Doppel-Album dem jungen Mozart. Zwei »Salzburger Klavierkonzerte« hat er mit dem Mozarteum Orchester Salzburg unter Mozart-Spezialist Ivor Bolten eingespielt: das erste Klavierkonzert KV 37 des 10-jährigen Mozart (von 1766) und das lange als »Jeunehomme« bekannte Klavierkonzert Nr. 9, KV 271, welches 10 Jahre später entstand und als erstes Meister-Konzert gilt. Für beide Konzerte schrieb Stadtfelld neue Kadenzen.