Konstantin Lifschitz has long since established himself as an outstanding exponent of the works of Johann Sebastian Bach. He has already recorded the `Musical Offering´ and the `Art of Fugue´ for ORFEO and now turns his attention to the composer´s seven keyboard concertos. He is partnered by the Stuttgart Chamber Orchestra, an ensemble that enjoys an equally distinguished reputation for its Bach interpretations. With only three of these seven concertos has it been possible to identify specific originals with different solo instruments, while the other four have been ascribed to various other instruments by experts in the field; attributions that none the less continue to be hotly debated.
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
This performance of Bach's Art of Fugue is an analog recording originally released in 1986. It was first digitally mastered and offered on CD in 1988, then was re-mastered in 2001 and paired with a new recording of Bach's Musical Offering as part of Alia Vox's boxed-set edition "The Testament of Bach". Now the performance has again been re-mastered as a full SACD multi-channel hybrid, and it has much in common with its companion Musical Offering recorded 14 years later and also directed by Jordi Savall (with his ensemble Le Concerts de Nations)…–John Greene, ClassicsToday.com
“First, Koopman’s harpsichord dances on its own; then string quartet, flute and bass viol join in the joyfully ingenious canons and fugues on the theme suggested by Frederick the Great of Prussia. The ornamentation is never fussy, while the recording is bright — bottled sunshine, that’s what this CD is.” The Times, 25th April 2009