Oscar Peterson has stated that he feels his MPS recordings are his finest. That is quite a statement considering the huge amount of records that the pianist has produced through the past 50 years. This set reissues the music from six of his MPS LPs: Action, Girl Talk, The Way I Really Play, My Favorite Instrument, Mellow Mood, and Travelin' On. While some of the performances feature the 1963 trio he had with bassist Ray Brown and drummer Ed Thigpen, most of the music dates from 1967-1968 and matches Peterson with bassist Sam Jones and either Louis Hayes or Bobby Durham on drums. A special treat is Peterson's first unaccompanied solo album, which fills up the final LP. Peterson's many fans know what to expect in this set, while other listeners need to discover him to realize what all of the fuss was about. Quite simply, Oscar Peterson has long been one of the greatest pianists the world has ever known; this reissue offers plenty of proof.
On Gillespie's second recording for Norman Granz's Pablo label, he joins Oscar Peterson for a set of miraculous duets. Benny Green, who wrote the liner notes for this album, compared this performance of Ellington's classic composition to the Armstrong and Hines rendition of "Weather Bird." Peterson melds a keen sense for complementary accompaniment with dexterous, interweaving polyphonic lines.
Two classic albums on one CD, 2012 new digital remaster with full original album art in booklet. Oscar Peterson's 1962 album, Oscar Peterson Plays: West Side Story, features the pianist and his trio with bassist Ray Brown and drummer Ed Thigpen, reinterpreting compositions from the classic 1961 film version of the Broadway musical. This is a highly engaging album that showcases Peterson's trio at their finest, with some truly inventive takes on such songs as "Somewhere," "Tonight," and "Maria." Oscar Peterson's 1959 album, Play Porgy & Bess, features the pianist and his trio (with bassist Ray Brown and drummer Ed Thigpen) explore ten of the stronger themes from George Gershwin's Porgy & Bess…
Defying what has become conventional wisdom, tenor saxophonist Lester Young cut some of his greatest recordings in the 1950s – that is, when he was reasonably healthy. On this wonderful effort with pianist Oscar Peterson, guitarist Barney Kessel, bassist Ray Brown, and drummer J.C. Heard, Prez performs definitive versions of "Just You, Just Me" and "Tea for Two," and plays a string of concise but memorable ballad renditions: "On the Sunny Side of the Street," "Almost Like Being in Love," "I Can't Give You Anything But Love," "There Will Never Be Another You," and "I'm Confessin'." This is essential music from a jazz legend. Some reissues augment the original dozen songs with a version of the good-humored "It Takes Two to Tango," which features Young's only recorded vocals, plus a rather unnecessary false start (on "I Can't Get Started," ironically), along with some studio chatter.
While it's true that Oscar Peterson compilations appeared with regularity form the early '60s on, only a few of them – as with most recording artists – have any real merit. This two-disc collection from the Concord Music Group's Telarc label, is one of them. Appearing less than a year before his death, this compilation concentrates on recordings issued from the '50s through the middle of the '80s on Dizzy Gillespie's Pablo label, and those made for Telarc between 1990 and 2000. Many live dates are included here from both labels, including "Tenderly" with Herb Ellis and Ray Brown at the J.A.T.P. concerts in Japan; the trio dates at Zardi's in 1955 ("How High the Moon"), in Copenhagen with Joe Pass, Stéphane Grappelli, and Niels-Henning Ørsted Pedersen in 1979, and Mickey Roker in 1979 ("Nuages")….
Pianist Oscar Peterson had a reunion with guitarist Herb Ellis and bassist Ray Brown at a well-publicized get-together at New York's Blue Note in March 1990. The trio (his regular group of the late '50s) was augmented by Peterson's late-'60s drummer Bobby Durham for spirited performances. Rather than using their complex arrangements of the past, the pianist and his alumni simply jammed through the performances and the results are quite rewarding. On the first of four CDs released by Telarc, the quartet performs "Honeysuckle Rose," a ballad medley, three of the pianist's originals and "Sweet Georgia Brown." As this and the other CDs in the series show, the magic was still there.