'The Doors announced themselves to the world with a near-perfect debut album,' writes veteran rock journalist Ben Fong-Torres in his notes for this unprecedented box. Indeed, The Doors' self-titled 1967 debut recorded in late '66 struck awe in fans and critics alike, and heralded the arrival of the one the most original and daring bands ever. Through five more studio albums, The Doors were fronted by the legendary Jim Morrison, and continually pushed the boundaries of contemporary music and popular culture. To mark the band's 40th anniversary, Rhino salutes their legacy with a 12-disc box housing remastered & expanded CD/DVD editions of these six album masterpieces.
Perception is a 40th anniversary edition box set by The Doors, containing remastered versions of the original songs. Each of the group's six albums has not only been re-remastered (this time by the remaining band members plus original engineer Bruce Botnick), but loaded up with a bevy of previously unreleased bonus tracks.
The various releases of The Very Best of the Doors during 2001 and 2007 in the U.S. and the U.K. are very similar, both in their single-disc and double-disc permutations – as well as a limited edition that adds a DVD to the two-CD version – so it's very easy to get all three compilations confused…
When You're Strange: Music from the Motion Picture is the studio album and the soundtrack to the 2010 documentary film, narrated by Johnny Depp, about The Doors and their music. The soundtrack features 14 songs from The Doors’ six studio albums, with studio versions mixed with live versions, including performances from The Ed Sullivan Show, Television-Byen in Gladsaxe, Felt Forum in New York and The Isle of Wight Festival.
The Doors of Perception, recorded by Dave Pike and his group, is one of the oddest records in his rather exotic – and utterly hip – discography. Produced by Herbie Mann and featuring a cast of all-stars including Lee Konitz, Eddie Daniels, Don Friedman, Chuck Israel, and Arnie Wise, this is the Pike version of an acid experiment. On this 1970 release (recorded perhaps as early as 1966), Mann gets all crazy with sound effects like echo chamber, piped-in applause from a make-believe audience, thunderstorms, the dancefloor of a crowded discotheque, a Leslie speaker recorded on overload on warbling audio tape, perhaps even the sound of a live date.