The Movie Album is a career aspiration come true for Till Bronner, a record he's desired to make for more than a decade. His themes from Hollywood movies, classic and contemporary (with a TV theme thrown in), make this more a pop-jazz record than one for cinephiles. Co-produced by the artist and guitarist Chuck Loeb, most of the set was recorded at Hollywood's East West Studios with a crack band of studio aces, with the Deutsches Symphonie-Orchester's parts recorded in Berlin.
On his first instrumental album in over a decade, German jazz trumpeter/flügelhornist and pop star Till Brönner offers his own tribute to one of his earliest inspirations: the sound of Creed Taylor's CTI label. Co-produced by the artist with keyboardist Roberto Di Gioia and Samon Kawamura, these 12 tunes employ a crack studio band as well as strings, and evoke memories of the label's arrangers Don Sebesky, David Matthews, and Bob James, but with distinctly modern charts. The mood is relaxed, open, and fluid, and creativity runs high. The production is warm yet crystalline; though attention is paid to detail, nothing feels constrained by nostalgia. These 12 cuts wed hip, soulful jazz-funk grooves to modern jazz, sometimes infused with a subtly cinematic panache.
Cutting standards isn't a new thing for German jazz chameleon Till Brönner. His 1995 debut album, Generations of Jazz, contained fine renditions of "Bye Bye Blackbird" and "I Want to Be Happy." Since then he's recorded classic tunes of all kinds – from pop and soul to Brazilian and film gems – in a wide variety of settings…
Till Brönner, Germany’s most famous contemporary jazz musician, is a trumpet and flugelhorn player, singer, arranger, composer, producer and radio personality. Equally at home with hard bop, funky hip-hop fusion, bossa nova, pop ballads and classical music, he has already sold more records than any German Jazz musician in history.