Alan Sorrenti

Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]  Music

Posted by gribovar at Nov. 4, 2016
Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]

Alan Sorrenti - 2 Studio Albums (1972-1974) [Reissue 2005]
EAC Rip | FLAC (image+.cue+log) - 503 MB | MP3 CBR 320 kbps (LAME 3.93) - 183 MB | Covers - 31 MB
Genre: Progressive Rock | RAR 3% Rec. | Label: EMI

Alan Sorrenti (born December 9, 1950) is an Italian singer and composer. Actually, he started as an experimental progressive rock performer, releasing two great albums called "Aria" (1972) and "Come un vecchio incensiere all'alba di un villaggio deserto" (1973), where he showed extraordinary vocal abilities. His third, self-titled album (1974) is usually considered the least convincing of Alan's early production, despite some very good tracks, his style slowly shifting toward more a more mainstream song format. For progressive fans, checking "Aria" out is recommended, expecially the long, wandering progressive suite title track, which lasts for about 20 minutes.
Alan Sorrenti ‎– Come Un Vecchio Incensiere All'Alba Di Un Villaggio Deserto (1974) [Remastered 2005]

Alan Sorrenti ‎– Come Un Vecchio Incensiere All'Alba Di Un Villaggio Deserto (1974) [Remastered 2005]
EAC Rip | FLAC (tracks & cue & log) | 268 MB | MP3 CBR 320 kbps | 105 MB | Scans (JPG) | 36 MB | 46:13
Genre: Progressive Rock / Acoustic / Experimental | Country: Italy | Label: EMI | 7243 8 60270 2 3

A very important artist from Naples, ALAN SORRENTI released his first album in 1972 on Harvest. He had a Welsh mother and had lived in Wales as a child. "Aria" is a very good album, with two different sides: the first only contains the long title track, a dreamy suite starting with acoustic guitar and based on the marvellous, instrument-like voice of Sorrenti, and culminating in the final part with a memorable violin solo by Jean-Luc Ponty. Side 2 is softer, with three tracks, two of which ("Vorrei incontrarti") also appeared as a single. The album was successful in Italy, and Alan Sorrenti was one of the few solo artists to compete with other prog groups in the open air festivals of the time. The album was also released abroad, but to little success.

VA - Dammi Il Tuo Amore (1998)  Music

Posted by edi1967 at June 24, 2010
VA - Dammi Il Tuo Amore (1998)

VA - Dammi Il Tuo Amore (1998)
Pop Italian | EAC rip | Flac, Log, Cue | Covers 600 dpi | 713 mb

Bellissima raccolta delle più belle canzoni della storia della musica italiana, selezionata negli anni 90, questa raccolta vi farà rivivere momenti magici ed indimenticabili, ogni pezzo di questo raccolta è un grande successo della storia della musica italiana.
VA - Zarathustra's Revenge: Tribute To Italian Progressive Rock Of The Seventies (1997)

VA - Zarathustra's Revenge: Tribute To Italian Progressive Rock Of The Seventies (1997)
EAC | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
4CD | Mellow Records, MMP 328 A/B/C/D | ~ 1688 or 1691 or 651 Mb | Scans(jpg, 300dpi) -> 64 Mb
Progressive Rock / RPI

4 CD Box set from Mellow records devoted to recounting the wonderful 1970's Italian progressive rock scene…

Handel - Radamisto (Alan Curtis) [2005]  Music

Posted by Vilboa at Feb. 17, 2017
Handel - Radamisto (Alan Curtis) [2005]

Handel - Radamisto (Alan Curtis) [2005]
Classical | Virgin 7243 5 45673 2 | TT: 61.01+65.25+50.36 | EAC (FLAC, cue, log) | Covers | 760 Mb

Joyce Di Donato and Maite Beaumont are outstanding as the devoted couple tormented by Tiridate’s abuse of power. Their flexible and agile voices are ideally displayed in the opening scenes of Act 2 – Beaumont’s sublime ‘Quando mai’ followed by Di Donato’s powerful ‘Ombra cara’. Patrizia Ciofi is suited to the moods of the Tiridate’s long-suffering wife. Dominique Labelle is the most rounded and ideally equipped Handel soprano in the cast: the music effortlessly trips off her tongue in ‘Mirerò quel vago volto’… Alan Curtis directs with superb pace and judgement. He is a successful advocate for Handel’s first version of Radamisto, although in Act 3 he uses two pieces from the second version for dramatic reasons. I wonder how Polissena’s original climactic aria ‘Sposo ingrato’ might sound instead of the exclamatory ‘Barbiro, partirò’, but I cannot fault Curtis’s decision to opt for the more dynamic later aria. Il Complesso Barocco play neatly and sympathetically support the singers. The orchestra avoids forcing rhetorical effects too much but I wish it had mined the textural richness in Handel’s score a little deeper. However, this enjoyable performance lacks nothing essential in theatrical impact and musical drive. (David Vickers, Gramophone)
Il Complesso Barocco, Alan Curtis - Handel: Alcina (2009) (Repost)

Il Complesso Barocco, Alan Curtis - Handel: Alcina (2009)
EAC | APE (image+.cue, log) | Covers + Digital Booklet | 03:23:15 | 1,01 Gb
Genre: Classical, Opera | Label: ARCHIV Produktion | Catalog: 4777374

Alan Curtis, lauded by Opera as one of our finest conductors of Baroque opera, illumines Handel s masterpiece, Alcina, by casting, as heroine, the brilliant Joyce DiDonato. Since Alcina is historically dared by virtuosic sopranos like Sutherland and Battle, this innovative recording with a mezzo is a must-have not just for Alcina freaks but all who adore sensational vocalism. As Handel did in his time, Curtis arrays our era s finest Baroque singers such as Maite Beaumont and Karina Gauvin in supporting roles around his star. With this electrifying Alcina, first ever studio recording of the rarely heard Ezio and Rolando Villazón s new album, Handel Year 2009 is being exceptionally well feted by Deutsche Grammophon.

Handel - Rodelinda (Alan Curtis) [2005]  Music

Posted by Vilboa at Feb. 2, 2017
Handel - Rodelinda (Alan Curtis) [2005]

Handel - Rodelinda (Alan Curtis) [2005]
Classical | Archiv Produktion 00289 477 5391 | TT: 66.10+59.01+67.15 | EAC (FLAC, cue, log) | Covers | 902 Mb

Alan Curtis has done more than most to prove that many of Handel's 42 operas are first-rate music dramas – his Admeto, from 1979 (see page 465), was one of the first complete recordings of a Handel opera to feature period instruments and all voices at correct pitch without transpositions – but it is surprising to note that this is his first recording of an undisputed popular masterpiece. Rodelinda, first performed in February 1725, is a stunning work dominated by a title-heroine who remains devoted to her supposedly dead husband Bertarido and scorns the advances of his usurper Grimoaldo. The potency of Handel's score was enhanced by the complexity of the villain, whose lust-driven cruelty gradually crumbles into a desire to abdicate in order to find spiritual peace. The scene in which the penitent tyrant's life is saved from assassination by the fugitive Bertarido is among Handel's greatest dramatic moments. (Gramophone Classical Music Guide)

Handel - Arminio (Alan Curtis) [2016/2001]  Music

Posted by Vilboa at Jan. 31, 2017
Handel - Arminio (Alan Curtis) [2016/2001]

Handel - Arminio (Alan Curtis) [2016/2001]
Classical | Erato 825646854905 | TT: 75.23+71.03 | EAC (FLAC, cue, log) | Covers | 665 Mb

One of Handel’s rarer operas, Arminio, set at the time of the Roman Empire, was first performed in 1737. “On the evidence of this very fine recording,” said Gramophone when this performance first appeared, “it can stand among the best of the Handel operas, full of beautiful and imaginative things.” Conducting a cast led by the virtuosic Vivica Genaux in the title role – composed for the castrato Domenico Annibali – is the renowned Handel specialist Alan Curtis.

Handel - Deidamia (Alan Curtis) [2012/2002]  Music

Posted by Vilboa at Jan. 29, 2017
Handel - Deidamia (Alan Curtis) [2012/2002]

Handel - Deidamia (Alan Curtis) [2012/2002]
Classical | Virgin 50999 4 40926 2 7 | TT: 69.45+62.45+48.25 | EAC (FLAC, cue, log) | Covers | 841 Mb

Written in 1740, Deidamia was the last of Handel’s Italian operas; thereafter he relinquished the form and turned his creative energies to English oratorio. The libretto is based on the myth of Achilles’ boyhood: disguised as a girl on the island of Scyros to escape his fate at Troy, Achilles is unmasked by Ulysses and joins the war, abandoning his lover Deidamia. Despite its heroic subject Deidamia is written with a light, almost comic touch, Deidamia herself providing a central seriousness as she moves from the ecstasies of young love to a tragic maturity, forced to release the boy she loves to his inevitable death. Simone Kermes is Deidamia and Anna Bonitatibus her cynical adversary Ulysses; Alan Curtis’ new recording reveals the many beauties of a very human and appealing work that marks a wistful end to the golden age of Baroque opera.

Alan Davey (Hawkwind) - Captured Rotation (1996)  Music

Posted by uff at Jan. 26, 2017
Alan Davey (Hawkwind) - Captured Rotation (1996)

Alan Davey (Hawkwind) - Captured Rotation (1996)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
HAWKVP40CD | rel: 2006 | 395Mb

Alan Davey, the Elf, once bass guitarist for Hawkwind, and leader of the band Bedouin, now the bass assassin for the Meads of Asphodel is responsible for this excellent solo album from the mid nineties. As a bonus it also features former Hawkwind vocalist Ron Tree on three tracks.