Since she won the seventh International Frederick Chopin Piano Competition in 1965 at the age of 24, this Argentine concert pianist has mostly avoided the limelight; she remains, however, one of the greatest interpreters of classical music.
This is a wonderful collection of all the great composer's known works, and is a must buy for anyone who enjoy's Rachmaninoff. While most of the recordings are not perhaps the absolute best that are out there, they are all still, for the most part, quite good. The only real issues I can find with this set are two rather small ones. On the recording of the symphonic poem The Isle of the Dead, there is an odd static-like sound that starts at about 17 minutes into the piece, which then disappears briefly, before reappearing once more. It is rather irritating, especially considering that the rest of the recording is very nice.
Argentinian pianist Martha Argerich is widely regarded as one of the greatest pianists of the second half of the twentieth century. In celebration of her 75th birthday, Sony Classical is pleased to release Martha Argerich The Complete Sony Classical Recordings, a new 5-CD original jackets collection featuring two albums available for the first time on CD remastered from the original analogue tapes. Argerich rose to international prominence when she won the seventh International Chopin Competition in Warsaw in 1965 at age 24. In that same year, she debuted in the U.S. in Lincoln Center s Great Performers Series.
Russian pianist Denis Matsuev has established himself as one of the most dynamic and virtuosic performers of his generation, and his program on this RCA album with Alan Gilbert and the New York Philharmonic is ideally suited to his extraordinary abilities. The pairing of Sergey Rachmaninov's Piano Concerto No. 2 in C minor and George Gershwin's Rhapsody in Blue is a natural one, particularly because of the works' shared post-romanticism (note Rachmaninov's influence on Gershwin's slow theme in the Rhapsody), as well as for the dazzling writing for the piano in both works. Of course, the challenge for Matsuev is to make his part appear effortless, and he succeeds so well in both performances that listeners may be a bit blasé about his playing, taking it in without really considering what knuckle-busters these pieces really are.
These three sonatas - composed originally for the viola da gamba and harpsichord - are very musically-appealing compositions. And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist - perhaps to showcase some of Bach's keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord (Savall, Peri, Crum, Wispelwey) or modern cello with harpsichord (Ma, Tortelier). But if your taste favors all modern instuments (cello, piano), then this circa-80's CD by the legendary Martha Argerich and Misha Maisky is the ticket.
Martha Argerich’s long career has taken in many outstanding solo performances, but she has often professed to feeling ‘lonely’ on stage. This CD showcases the area in which she feels truly at home: her extensive and fruitful collaborations with other first-class musicians. Among the many younger pianists she has taken under her wing at her academy in Lugano are Lilya Zilberstein, who rose to fame in the 1990s and whose sparkling playing is also featured on this disc, as well as Nelson Goerner, whose collaboration with Argerich in Rachmaninov’s nostalgic Symphonic Dances is released here for the first time.