An eclectic, or probably more appropriately, multifaceted album by one of the great sound magicians of New Orleans. The tunes range from ancient spirituals through a dirge, an obscure beguine (correctly named as Touloulou) or Ellington numbers to a Tom Waits song, but any of them sounds timeless in the usual intense presentation of Ms. Nealand and her Royal Roses. Indeed, the work is the current response of the band to the question of why this kind of seemingly outdated music should matter today. Their approach integrates the musical explorations of the last several decades, involving results from jazz, rock and even classical experience. And the outcome is truly spectacular.
Her fourth release, “Traverse This Universe”, finds Ms. Sophie Lee reaching beyond her traditional jazz roots with original material written alongside her ukulele and with the help of producer/songwriters Luke Winslow-King, Earl J. Scioneaux, III and Ben Polcer. “Traverse This Universe” features six original compositions and five standards performed by Ms. Sophie Lee’s mainstay Spotted Cat band and showcasing over a dozen talented New Orleans musicians, including Aurora Nealand, Helen Gillet, Charlie Halloran, Khris Royal amongst others. As lagniappe, the album artwork highlights the creative talents of her eight and six year old daughters.
Finnish trumpeter/composer Verneri Pohjola comes from a well-established family of jazz musicians: both his father, famed bassist Pekka Pohjola, and his younger brother, trombonist Ilmari, join him here. Pohjola was voted Musician Of The Year by Finnish jazz critics in 2004, but Aurora is his debut as leader. This is a work of immense beauty which benefits not only from Pahjola's expressive trumpet playing and writing, but also from exceptional musicianship from every single one of its 15 players.
"…Thoroughly recommended to the fans who flock to duo-piano concerts, and also to those with fine audio equipment they wish to challenge." ~allmusicguide
Based on a real story, Sofía Olivari is a small town elementary school teacher who has been rejected twice by adoption agencies. While she and her husband are applying a third time, she reads in a newspaper that a newborn baby has been found in a dumpster. She feels that the baby deserves a burial, but because the baby has no legal identity, she goes to a judge. He insists that there's nothing to be done, but she'll keep on fighting for baby Aurora ("She deserves a name too").
Aurora Orchestra, together with conductor Nicholas Collon, is an innovative, energetic and talented ensemble. It has already amassed a good amount of praise from the critics, quickly establishing itself as the most significant new British chamber orchestra in a generation. Collon by himself is also making waves, increasingly in demand as a guest conductor in the UK and abroad. This album features a straightforwardly American repertoire selection, interspersing the core repertoire with some beautifully arranged folk/pop songs inspired by the theme.
Argentinean Alberto Ginastera was among the most successful mid-twentieth century composers in retaining the populist accessibility of his early works while incorporating elements of serialism as his style developed. His later works may not have the hummable melodies or propulsive rhythmic drive of his early period, but they have a comparable dramatic logic and emotional directness, which give them an immediate appeal. His two cello concertos, written in 1968 and 1981, are clearly "modernist" works of his late period, but they are warmly lyrical, intensely dramatic, and orchestrated with intriguing inventiveness. In their slow sections, they are also prime examples of the mysterious, gorgeously evocative atmospherics of which Ginastera was a master throughout his career.