Barbirolli Brahms

John Barbirolli, Vienna Philharmonic - Brahms: Complete Symphonies (1968) [Japan 2012] PS3 ISO + Hi-Res FLAC

John Barbirolli, Vienna Philharmonic - Brahms: Complete Symphonies (1968) [Japan 2012]
PS3 Rip | 4x SACD ISO | DSD64 Stereo > 1-bit/2.8224 MHz | 215:38 minutes | Scans included | 6,52 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 3,95 GB

The music of Brahms held an important place in Sir John Barbirolli's repertoire and these recordings of the symphonies, made with the Vienna Philharmonic in 1966 and 1967, stand as one of the peaks of his discography. Barbirolli's relationship with this music is rooted in his time as an orchestral cellist, and these performances are notable for their rich, ripe sonorities and expansive warmth. This Japanese SACD reissue features the 2011's EMI Remaster.
Sir John Barbirolli and Wiener Philharmoniker - Brahms: The Four Symphonies (2016)

Sir John Barbirolli and Wiener Philharmoniker - Brahms: The Four Symphonies (2016)
MP3 320 kbps CBR | Artworks | 03:35:46 | 562 MB
Genre: Classical | Label: Warner CLassics

The Original Jackets Series from Warner Classics focuses on the greatest recording from the past and reissues them with the original artwork from their first release.
Brahms - Complete Symphonies & Overtures - Barbirolli & Vienna Philharmonic (1966-67)[4 CD Set Japanese EMI/Angel]

Brahms - Complete Symphonies & Overtures - Barbirolli & Vienna Philharmonic (1966-67)[4 CD Set Japanese EMI/Angel]
Rip for Mac | FLAC (Tracks), CUE, LOG, Scans | 1.03GB - (244MB + 263MB + 242MB + 277MB)
Classical | Label: EMI Angel Japan | CD Number CC30-3294 ~ 7 Printed by Toshiba | Rapidshare
Rare CD set, printed mid-1980's. It's hard to find information on this set anywhere on the internet.

VA - The Best Of Brahms (1992)  Music

Posted by TestTickles at Dec. 23, 2016
VA - The Best Of Brahms (1992)

VA - The Best Of Brahms (1992)
EAC Rip | FLAC with CUE and log | scans | 303 mb
MP3 CBR 320kbps | RAR | 138 mb
Genre: classical

The Best Of Brahms is a 1992 compilation album released by Vox Cameo Classics. It focuses on the works of Brahms through works by Bamberg Symphony, The Symphony Orchestra OF Southwest German Radio, The Austrian String Quartet with Irmgard Gahl and others.
Anna Vinnitskaya - Johannes Brahms: Ciaccona Per La Mano Sinistra, Otto Klavierstücke Op. 76, Due Rapsodie Op. 79, 7 Fan (2016)

Anna Vinnitskaya - Johannes Brahms: Ciaccona Per La Mano Sinistra, Otto Klavierstücke Op. 76, Due Rapsodie Op. 79, 7 Fan (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 244 MB | 01:12:51
Classical | Label: Amadues | Release Year: 2016

Anna Vinnitskaya is among an ever-growing number of super-virtuoso pianists to have won a major competition and then followed with a string of acclaimed debut concerts and recordings. Her victory at the 2007 Queen Elizabeth Competition in Brussels placed her in a field where finding elbow room is a daunting challenge; yet her results with critics and public alike have consistently augured continued success. Her spectacular technique and interpretive depth allow her to convincingly perform a range of repertory, from works by J.S. Bach, Mozart, and Beethoven to Rachmaninov, Medtner, and Prokofiev.
Roger Norrington, SWR, NDR, Soloists - Johannes Brahms: Ein deutsches Requiem (2015)

Johannes Brahms - Ein deutsches Requiem (2015)
Christina Landshamer, soprano; Florian Boesch bass; Roger Norrington, conductor
NDR Chor, SWR Vokalensemble Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR

EAC | FLAC | Image (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hänssler Classic | # CD 93.327 | Time: 01:04:24

Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
Daniel Barenboim, Staatskapelle Berlin, Gustavo Dudamel - Johannes Brahms: The Piano Concertos (2015) 2CDs

Johannes Brahms: The Piano Concertos 1 & 2 (2015) 2CDs
Daniel Barenboim, piano; Staatskapelle Berlin; Gustavo Dudamel, conductor

EAC | FLAC | Image (Cue&Log) ~ 415 Mb (incl 5%) | Scans included | Time: 01:42:06
Genre: Classical | Label: Deutsche Grammophon | # 479 4899 GH2

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.

Bruckner - Symphony No.8 (Barbirolli) (2001)  Music

Posted by uff at Nov. 17, 2016
Bruckner - Symphony No.8 (Barbirolli) (2001)

Bruckner - Symphony No.8 (Barbirolli) (2001)
Classical | 1cd | EAC Rip | Flac + Cue + Log | covers
BBC, BBCL 4067-2 | rec: 1970 | 410Mb

This recording of Bruckner's Eighth Symphony is from Sir John Barbirolli's last London concert, some 10 weeks before his death, when the conductor knew heart problems might overtake him at any time. What better way to say goodbye than with one of the greatest symphonies ever written? And this craggy, towering masterpiece is given as urgent a performance as you'll ever hear (complemented by vivid recorded sound).

Great Masters: Brahms-His Life and Music [repost]  eBooks & eLearning

Posted by FenixN at Feb. 6, 2016
Great Masters: Brahms-His Life and Music [repost]

Great Masters: Brahms-His Life and Music
Audio CDs in MP3 / English: MP3, 64 kb/s (2 ch) | Duration: 05:59:05 | 2013 | ISBN-10: N/A | ASIN: B00DTNVQJY | 164 MB
Genre: Biographies, Cultures, Music

Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His miserliness with himself by exceeding generosity with family and associates. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles.
Edward Elgar - The Dream of Gerontius, Op. 38 (1999) 2 CDs [Sir John Barbirolli]

Edward Elgar - The Dream of Gerontius, Op. 38 (1999) 2 CDs
Hallé Orchestra & Choir; Sheffield Philharmonic Chorus; Ambrosian Singers; conducted by Sir John Barbirolli
Richard Lewis, tenor; Dame Janet Baker, mezzo-soprano; Kim Borg, bass

EAC | FLAC | Image (Cue&Log) ~ 512 Mb (incl 5%) | Mp3 (CBR320) ~ 252 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Oratorio | Label: EMI | # 7243 5 73579 2 0 | Time: 01:38:16

Perhaps part of what sets this recording apart from its competitors is Barbirolli's overall conception of the work: the liner notes point out that he always called the work Elgar's "*Dream,*" and not "Gerontius." This seemingly simple change results in a completely different outlook on the work. In emphasizing the dream-like quality of the work, Barbirolli is at once more daring and more orthodox than his competitors, allowing the quirkiness of Elgar's orchestration and choral writing to burst out time and time again, here cellos coming to the fore, there a clarinet emerging in sudden duet with one of the soloists. Barbirolli is doing nothing more than giving us what's on the page, but what a difference this makes!