The re-mastered set includes Mask, a second disc of the non-album singles, previously unreleased demos and alternative versions plus a newly mixed 1981 live show on the third disc. This Omnibus Edition is presented as a limited edition box set with the three CD's in Japanese-style paper sleeves, reproducing the original (gate-fold) vinyl cover art. Managing the sometimes hard-to-negotiate trick of expanding their sound while retaining all the qualities which got them attention to begin with, on Mask the members of Bauhaus consciously stretched themselves into newer areas of music and performance, resulting in an album that was arguably even better than the band's almost flawless debut.
Mask is the second album by the British post-punk and gothic rock band Bauhaus, released in 1981 on Beggar's Banquet Records. The album cover is a drawing by Daniel Ash. The original artwork for the album was a gatefold sleeve, with blue text on the inside and a stark black and white image of the band, on later editions this inside was replaced with white text and a montage from the promotional video for the song "Mask".The 1998 compact disc included the following additional tracks. "Harry" was recorded on January 26, 1979 at Beck Studios. It, along with "In Fear of Dub" and "Ear Wax" had been released on an EP. The other songs were released as singles. From Wikipedia, the free encyclopedia
Bauhaus 1979–1983 (sometimes referred to as simply 1979–1983) is a compilation album by English post-punk band Bauhaus, released in 1985 by record label Beggars Banquet.Bauhaus 1979–1983 was originally released as a double album on vinyl in 1985. The album reached number 36 on the UK Albums Chart and has been certified silver by the British Phonographic Industry.In 2009, Volume 1 was named by Spin as one of eight essential goth music albums.
15 years after they broke up to pursue solo careers, the members of Bauhaus reformed for a limited series of live appearances. This two-disc, nearly 100-minute long live album (with one exception) was recorded in New York (hence the title) and is perhaps the best that the band has ever sounded. Kevin Haskin's drums never sounded this, well, massive on the studio albums, and Daniel Ash's guitars are sharper and more focused than ever…