Tout le monde devrait connaitre certaines oeuvres classiques. Les requiems de Mozart ou de de Saint Sens en font parti, à mes yeux.
This recording presents–almost–Berlioz's original thoughts on this very complicated opera (which went through more than a dozen versions, with additions and subtractions, in the composer's lifetime), although conductor John Nelson also adds an aria or two Berlioz later added, making it somewhat different from the version recorded by Philips under Sir Colin Davis a little over 30 years ago.
Béatrice et Bénédict, Berlioz's last completed work, is based on Shakespeare's Much Ado About Nothing, but the libretto, by the composer, dispenses with most of the intrigue of the original and reduces the plot to a single premise: Béatrice et Bénédict mask their affection for each other by squabbling, and then finally come to their senses and get married. Although designated an opera, it is closer in effect to an opéra comique because of its very extensive use of spoken dialogue.
With the release of this live recording of Hector Berlioz's Symphonie fantastique, RCO Live celebrates the start of its collaboration with Daniele Gatti as the Royal Concertgebouw Orchestra's seventh chief conductor on 9 September 2016. His unconventional take on this spectacular score evokes the astonishment audiences must have experienced at the time of the 1830 premiere. It is exactly this sense of surprise and freshness - founded on a thorough knowledge of the score - and the sheer joy of making music together that prompted the members of the RCO to choose Daniele Gatti as their new chief conductor.