Not that this artist isn't pretty cool; far from it. Credited either as Bob Hardaway or Robert Hardaway, he spent much of the 20th century at the top of the studio musician scene in Los Angeles, playing a bewildering array of woodwind instruments — even bass clarinet, English horn, and alto flute — on a tall stack of records that stylistically give the impression of having been snatched at random out of a burning used record store, the Partridge Family, Dinah Washington, Bonnie Raitt, and his efforts with the Eddie Shu/Bob Hardaway Jazz Practitioners among them.
The emergence of Chris Connor as a singer began when Stan Kenton engaged her as his featured orchestra vocalist in 1953. With her uncanny vocal resemblance to June Christy, she immediately burst onto the national scene. Tall, blonde Chris was becoming one of the select corps of younger girl vocalists, and in the fall of that year she left the bandleader and beganbuilding a reputation as a single on the eastern club circuit, soon signing an exclusive contract with the then-new Bethlehem Records label.
Soul Jazz piano instrumentals, produced by none other than The Godfather of Soul himself, James Brown. The Dee Felice Trio were a groovy combo from Cincinnati, and James Brown took a shine to them at some point in the late 60s. Dee Felice Trio wonderfully well rounded instrumentation and varied set. The music is a mixed bag of soul, rock, blues, folk and bossa nova. The song "The Crickets Sing" incorporates a great drum solo, and has been championed by many DJs in the UK rare groove scene.
Features the latest remastering. Includes a Japanese description, lyrics, and bonus track(s). Features original cover artwork. One of the few female pianists in 50s jazz – the great Terry Pollard, a player who's usually associated with the Detroit scene, but who works here in a hip west coast setting for Bethlehem Records! The date's got Terry's strong piano in a quintet – with Don Fagerquist on trumpet and Howard Roberts on guitar – both musicians who bring a strong sense of presence to the group passages on the date, but who are also more than willing to step aside and let Pollard really flourish on her solos during some of the album's trio tracks.
An excellent budget compilation of the wonderful Bethlehem Records label - what a roster of artists they had. Very good sound too. The Bethlehem label focused on jazz releases, and this set collects some great examples of jazz–vocally and instrumentally–between the years 1958-62. One look at the artists on this 60 track 2 CD set shows how many fine artists released music on the label. Like other collections from One Day Music, there's no booklet, only a short paragraph about the label and a few of the featured artists. The digitally remastered sound is good overall within the limits of recording styles of the era.
Astronomers have been fascinated by the idea of the Star of Bethlehem for centuries. Did it exist? And if so, what was it? The list of candidates includes some of the most exciting objects in the night sky - supernovae, comets, meteors and unusual alignments of the giant planets. In this surprising and entertaining Christmas special the Sky at Night team go in search of the potential causes of the Star of Bethlehem. The team explore the possibilities, investigating the nature of the phenomena and digging through the historical records including Babylonian clay tablets and ancient Chinese manuscripts, to reconstruct events in the night sky 2,000 years ago. Maggie Aderin-Pocock goes hunting for supernovae using the most powerful laser in Britain, and discovers that these mighty explosions caused by the death of stars can shine brighter than the moon in our sky. Chris Lintott reconstructs the night sky over Jerusalem at the time of Jesus's birth, discovering a once-in-a-millennium conjunction of Saturn and Jupiter that was first suggested as a cause of the star by the great astronomer Johannes Kepler in 1604.
One of the loosest, most relaxed albums ever from flute man Sam Most – cut with a cool quartet that also features Bob Dorough on piano, Bill Crow on bass, and Joe Morello on drums! The inventive touches of all the rhythm players are really felt strongly – creating these modern moments that really have Sam stretching out on his instrument, and moving it way past any cliches of a few years before. Most handles flute on almost all the tracks, but also throws in some great clarinet as well – with archly-crafted solos that really swing, but with kind of an arch modernist tone – in the manner of some of Jimmy Giuffre's best rhythm-bound work of the 50s. Titles include "Obvious Conclusion", "Stella By Starlight", "Two For Three", and "House Of Bread Blues".
Tells the story of the complex relationship between an Israeli Secret Service officer and his teenage Palestinian informant. Shuttling back and forth between conflicting points of view, the film is a raw portrayal of characters torn apart by competing loyalties and impossible moral dilemmas, giving an unparalleled glimpse into the dark and fascinating world of human intelligence.
Reissue. Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. A great Bethlehem Records date from vibes man Teddy Charles – stepping out here in a set that's one of his most openly swinging of the time! The record still has some of the modern currents of Teddy's other work, but also makes great use of Zoot Sims on tenor – really pushing him out front for some bold solos on most numbers – in a great group that also includes Jimmy Raney on guitar, Sam Most on flute, and Dave McKenna on piano.