Coin

Stamp & Coin Mart - November 2017  Magazines

Posted by crazy-slim at Oct. 13, 2017
Stamp & Coin Mart - November 2017

Stamp & Coin Mart - November 2017
English | 102 pages | True PDF | 31 MB

Canadian Coin News - October 31, 2017  Newspapers

Posted by crazy-slim at Oct. 11, 2017
Canadian Coin News - October 31, 2017

Canadian Coin News - October 31, 2017
English | 36 pages | True PDF | 15 MB

Kay's Lucky Coin Variety  eBooks & eLearning

Posted by Grev27 at Oct. 10, 2017
Kay's Lucky Coin Variety

Ann Y. K. Choi, "Kay's Lucky Coin Variety"
English | ISBN: 1476748055| 2016 | EPUB | 288 pages | 1,5 MB

Coin News - October 2017  Magazines

Posted by crazy-slim at Sept. 30, 2017
Coin News - October 2017

Coin News - October 2017
English | 104 pages | PDF | 99 MB

Canadian Coin News - October 17-30, 2017  Newspapers

Posted by crazy-slim at Sept. 24, 2017
Canadian Coin News - October 17-30, 2017

Canadian Coin News - October 17-30, 2017
English | 32 pages | True PDF | 13 MB
The Reach of Rome: A Journey Through the Lands of the Ancient Empire, Following a Coin

The Reach of Rome: A Journey Through the Lands of the Ancient Empire, Following a Coin by Alberto Angela, translated by Gregory Conti
English | October 15, 2013 | ISBN: 0847841286, ASIN: B00CGHRDQE | AZW3 | 412 pages | 1 MB

Canadian Coin News - October 3-16, 2017  Newspapers

Posted by crazy-slim at Sept. 12, 2017
Canadian Coin News - October 3-16, 2017

Canadian Coin News - October 3-16, 2017
English | 40 pages | True PDF | 22 MB
Christophe Coin, Christopher Hogwood - Antonio Vivaldi: 6 Cello Sonatas (1989)

Antonio Vivaldi: 6 Cello Sonatas (1989)
Christophe Coin, cello; Christopher Hogwood, harpsichord

EAC | FLAC | Tracks (Cue&Log) ~ 305 Mb | Mp3 (CBR320) ~ 165 Mb | Scans ~ 48 Mb
Classical, Baroque | Label: Decca, L'Oiseau-Lyre | # 421 060-2 | 01:11:50

Nine cello sonatas by Vivaldi have survived. Six of them were published as a set in Paris in about 1740; that set, mistakenly known as the composer's Op. 14, contains the sonatas recorded in this release. The three remaining sonatas come from manuscript collections. All but one of the six works are cast in the slow-fast-slow-fast pattern of movements of the sonata da chiesa. The odd one out, RV46, in fact, retains the four movement sequence but inclines towards the sonata da camera in the use of dance titles. The music of these sonatas is almost consistently interesting, often reaching high points of expressive eloquence, as we find, for example, in the justifiably popular Sonata in E minor, RV40. Christophe Coin brings to life these details in the music with technical assurance and a spirit evidently responsive to its poetic content. Particularly affecting instances of this occur in the third movements of the A minor and the E minor Sonatas where Coin shapes each phrase, lovingly achieving at the same time a beautifully sustained cantabile.

Stamp & Coin Mart - October 2017  Magazines

Posted by crazy-slim at Sept. 8, 2017
Stamp & Coin Mart - October 2017

Stamp & Coin Mart - October 2017
English | 189 pages | True PDF | 34 MB
Christophe Coin, The Academy of Ancient Music, Christopher Hogwood - Antonio Vivaldi: 6 Cello Concertos (1989)

Antonio Vivaldi: 6 Cello Concertos (1989)
Christophe Coin, cello; The Academy of Ancient Music; Christopher Hogwood, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 261 Mb | Mp3 (CBR320) ~ 133 Mb | Scans ~ 47 Mb
Classical, Baroque | Label: Decca, L'Oiseau-Lyre | # 421 732-2 | 00:57:32

Following his attractive performance of six of Vivaldi's cello sonatas, Christophe Coin has recorded six of the composer's 24 or so concertos for the instrument. Five of these, Michael Talbot tells us in an interesting accompanying note, probably belong to the 1720s while the sixth, the Concerto in G minor (RV416), is evidently a much earlier work. Coin has chosen, if I may use the expression somewhat out of its usual context, six of the best and plays them with virtuosity and an affecting awareness of their lyrical content. That quality, furthermore, is not confined to slow movements but occurs frequently in solo passages of faster ones, too. It would be difficult to single out any one work among the six for particular praise. My own favourite has long been the happily spirited Concerto in G major (RV413) with which Coin ends his programme. Strongly recommended. (Gramophone Magazine)