Cosi Immobile

Georg Solti, Chamber Orchestra of Europe - Mozart: Cosi fan tutte [1996]

Mozart - Così fan tutte (Georg Solti) [1996]
Classical | DECCA 444 174-2 | TT: 178.39 | EAC (FLAC, cue, log) | Covers | 743 MB

It is more than twenty years since Solti last recorded Così for Decca, and if that earlier version was far from ideally cast, this new one more than makes amends. Above all, it has a commanding Fiordiligi in Renée Fleming, who conveys all the tragic vulnerability of this central character. Her performance of the great second-act rondo ‘Per pietà’ would be enough to melt the hardest of hearts. Anne Sofie von Otter and Olaf Bär are in fine form, too; and while Adelina Scarabelli is not exactly a mistress of disguises (she scarcely alters her voice at all for Despina’s part as the mesmeric doctor), her vitality is irresistible. More contentious is the Ferrando of Frank Lopardo. True, he can scale down his voice admirably, but all too often he lacks a genuine sense of line, and his intonation is unreliable.

Une Aventure de Benjamin Jamet - Tome 2 - Planète Immobile  Comics

Posted by Mendose at March 9, 2017
Une Aventure de Benjamin Jamet - Tome 2 - Planète Immobile

Une Aventure de Benjamin Jamet - Tome 2 - Planète Immobile
French | CBR | 65 pages | 16.7 MB

Takuan Maître, "Mystères de la sagesse immobile" (repost)  eBooks & eLearning

Posted by TimMa at March 3, 2017
Takuan Maître, "Mystères de la sagesse immobile" (repost)

Takuan Maître, "Mystères de la sagesse immobile"
Albin Michel | 1987 | ISBN: 2226029303 | French | EPUB/PDF| 183 pages | 0.6/18.8 MB

Takuan (1573-1645), Maître du Zen très populaire au Japon, était le conseiller spirituel du troisième shôgun des Tokugawa et il dispensa son enseignement aux vassaux de celui-ci - ce qui constitue le second chapitre de cet ouvrage sous le titre ….

Michel Tournier, "Le vagabond immobile"  eBooks & eLearning

Posted by TimMa at Feb. 3, 2017
Michel Tournier, "Le vagabond immobile"

Michel Tournier, "Le vagabond immobile"
Gallimard | 1984 | ISBN: 2070700585 | French | EPUB | 107 pages | 1.2 MB

Pendant des mois, j'ai reçu la visite de Jean-Max Toubeau. Il arrivait avec ses cartons, ses gommes et ses crayons, et entreprenait de croquer tout ce qui se présentait, chat, enfants, maison, jardin, et moi bien entendu. Ce petit livre est né de ces rencontres où l'immobilité du corps, à laquelle il m'obligeait, se compensait par des vagabondages de l'esprit et de la plume à travers mes souvenirs, mes réflexions et mes lectures.

Enrica Bonaccorti - L'uomo immobile  eBooks & eLearning

Posted by SSCN1926 at Jan. 24, 2017
Enrica Bonaccorti - L'uomo immobile

Enrica Bonaccorti - L'uomo immobile
Italian | Marsilio | 2014 | EPUB | Pages 285 | ASIN: B00JQEI076 | 0.85 Mb

Mozart - Cosi fan tutte (Arnold Ostmann) (2006/1984)  Music

Posted by Vilboa at Jan. 23, 2017
Mozart - Cosi fan tutte (Arnold Ostmann) (2006/1984)

Mozart - Così fan tutte (Arnold Östmann) (2006/1984)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.11 Gb (DVD9) | 139 min
Classical | Arthaus Musik | Sub: Italiano, Deutsch, English, Espanol, Francais

The old philosopher Don Alfonso enrages his two friends, the officers Ferrando and Guglielmo, with his claim that their fiancées will sooner or later be unfaithful to them - like all women. He proposes a wager, which the two friends accept. They swear on their honour as soldiers that they will prove him wrong and that Dorabella and Fiordiligi are not like “all women”. The immaculately restored eighteenth-century Court Theatre at the country residence of the Swedish Royal Family is the ideal home for period opera. Ever since Drottningholm Court Theatre was rediscovered in the 1920s, it has served as a living memorial to the fabulous extravagance of courtly entertainment and provided the wherewithal for the recreation of the spectacular scenic transformations of the seventeenth and eighteenth century operatic repertoire. The conductor Arnold Östman was appointed Drottningholm’s Artistic Director in 1980 and immediately set about establishing a Drottningholm Mozart style, attempting to recapture an authentic flavour through detailed historical research and the use of period instruments. He collaborates with German producer Willy Decker on this ever-popular Mozart comedy with an extensively rehearsed cast of young Swedish singers who “…proved a triumph of stylish teamwork, with singers and orchestra listening to each other, almost as it were breathing together.” (Daily Telegraph)

Temudjin - Tome 2 - Le voyage immobile (2015)  Comics

Posted by ALGEROIS at Jan. 4, 2017
Temudjin - Tome 2 - Le voyage immobile (2015)

Temudjin - Tome 2 - Le voyage immobile (2015)
French | CBR | 90 pages | 151 MB
Mozart - Cosi fan tutte (Riccardo Muti) (2015/1983) [BluRay-rip]

Mozart - Così fan tutte (Riccardo Muti) (2015/1983) [BluRay-rip]
BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 188 min | 10,2 Gb
Audio: Italian / PCM / 2ch / 48.0 KHz / 16 bits
Classical | Arthaus Musik | Sub: English, German, French, Spanish, Italian

[quoteRiccardo Muti had made a sensational Salzburg début in 1971 and this Così fan tutte was his first Mozart opera at the festival. It was acclaimed by both the general public and international critics, who were virtually unanimous in their praise of the aesthetic quality of the production. Muti was praised for his authoritative approach to Mozart’s music, while the remarkably homogeneous team of international soloists was equally applauded. The singers form an admirably cohesive ensemble and all of them are outstanding Mozart singers. The production became a staple at the Salzburg Festival and hugely popular with audiences. Muti gives both the musicians and the audience time to appreciate Mozart’s music in all its beauty, formal mastery and, above all, in the endless variety of its depiction of human foibles. The Vienna Philharmonic’s playing is well sprung and relaxed, but always imbued with great intensity.]
Teodor Currentzis, MusicAeterna - Mozart: Cosi fan tutte (2014)

Mozart - Così fan tutte (Teodor Currentzis)
Classical | Sony 88765466162 | 2014 | TT: 177:35 | EAC (FLAC, cue, log) | Covers | 770 Mb

Sony Classical continues its major Mozart opera project with conductor Teodor Currentzis and his orchestra & choir MusicAeterna. A ‘no-compromise’ studio recording cycle of Mozart’s three Da Ponte operas. Living in a unique artistic community established on the edge of Siberia, the musicians work and record under ideal conditions towards Currentzis’ stated goal “to show what can be achieved if you avoid the factory approach of the classical music mainstream”. The soloists’ vocal technique is also markedly different to modern operatic interpretation, with a focus on intimacy and clarity, a use of vibrato remarkably restrictive even by today’s ‘period practice’ standards as well as an approach to melodic ornamentation derived from historic sources which cannot be heard in other performances of these works.

Solti Conducts The Mozart Operas: Cosi fan tutte (2012/1974)  Music

Posted by Vilboa at Sept. 15, 2016
Solti Conducts The Mozart Operas: Cosi fan tutte (2012/1974)

Solti Conducts The Mozart Operas: Così fan tutte
Classical | DECCA 478 3703 | 2012 | TT: 183.45 | EAC (FLAC, cue, log) | Covers | 824 Mb

"There's plenty of life and vigour in the performance…Lorengar's Fiordiligi is affectingly interpreted and confidently delivered… Berganza sings with supple phrasing and firm tone… Ryland Davies's Ferrando is keen and pleasing in tone, secure in line, a great improvement on Gedda (Davis), and particularly eloquent in eventually breaking down the vulnerable defences of Lorengar's Fiordiligi. "Un' aura amorosa" would yield to tenderer accents, but the two Second Act arias are faultless in delivery. Krause is a seductive and articulate Guglielmo, Bacquier among the most ebullient of Alfonsos, who makes the most of every opportunity—a performance that brings the singer's very individual presence into the home. Some decorations are offered. The recitative is taken in lively fashion with Jeffrey Tate providing nice touches at the harpsichord. I enjoyed hearing Solti's version again more than I expected, not least because it conveys a sense of joy on all sides in actually performing the piece—that counts for much." – Gramophone