Classical music listeners resort to ethnic and national generalizations too often. Some of the most insightful Beethoven interpreters were French, and there are plenty of classic non-Czech recordings of Dvorák. Yet there's something uniquely satisfying about this version of the much-recorded Slavonic Dances (both sets, Op. 46 and Op. 72), and the satisfaction has something to do with the all-Czech origins. Take for example the match between the superb sound, recorded in Prague's Rudolfinium hall, and the texture of Jirí Belohlávek's Czech Philharmonic Orchestra, an ensemble he has molded into his own.
What kind of music could be better suited for the Berliner Philharmoniker’s legendary annual Waldbühne concert than Czech music? It’s always passionate and full of verve and sure to lift everyone’s spirits. Only very rarely does a young talent ascend to ‘world stardom’, but one of the few who can be considered an international superstar while still belonging to the new generation of conductors is Yannick Nézet-Séguin. He presents the much-loved Vlatava (Moldau) as well as Dvořák’s Sixth Symphony and Violin Concerto with the wonderful Lisa Batiashvili on the violin.