Damrau Deutsch Liszt Lieder

Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)  Music

Posted by Designol at April 6, 2016
Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)

Diana Damrau, Helmut Deutsch - Franz Liszt: Lieder (2011)
EAC | FLAC | Image (Cue&Log) ~ 306 Mb (incl 5%) | Mp3 (CBR320) ~ 200 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Virgin Classics | # 50999 0709282 4 | Time: 01:16:35

After her sumptuous album of Strauss songs with orchestra, soprano Diana Damrau marks the bicentenary of Liszt’s birth with an album of his most celebrated songs in German and Italian, accompanied by pianist Helmut Deutsch.

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Repost)  eBooks & eLearning

Posted by nebulae at July 16, 2016
Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Repost)

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD
2010 | ISBN: 3190594708 | German | PDF, MP4 | 40 pages | 23 + 32 MB
Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Mixed media product)

Spielerisch Deutsch Lernen: Lieder Und Reime - Buch & Audio-CD (Mixed media product)
Publisher: Hueber | 2010 | ISBN: 3190594708 | German | PDF+MP4 | 40 pages | 22.9+32.1 Mb

Kinder brauchen Spaß, dann lernen sie ganz von selbst. Das neue Buch Spielerisch Deutsch lernen - Lieder und Reime ist da genau das Richtige! 14 schwungvolle Lieder erzählen aus der Lebenswelt der Kinder: Familie, Wetter, Farben, Tiere etc. …
Christian Immler, Georges Starobinski - Im Schonen Strome: Heine Lieder - Robert Schumann, Franz Liszt, Robert Franz (2015)

Im Schönen Strome: Heine Lieder - Songs by Robert Schumann, Franz Liszt, Robert Franz (2015)
Christian Immler (baritone), Georges Starobinski (piano)

EAC | FLAC | Image (Cue&Log) ~ 281 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: BIS | # BIS-SACD-2143 | Time: 01:07:35

Although highly productive and respected in his lifetime as a composer of Lieder, Robert Franz (1815–92) has since become a peripheral figure in music history. One reason may be that he avoids dramatic contrasts and instead aims at an emotional ambiguity: ‘My representation of joy is always tinged with melancholy, whilst that of suffering is always accompanied by an exquisite sensation of losing oneself’, he once wrote to Liszt. As a consequence his music appeals to those who are able ‘to admire the nuances of a charcoal drawing without longing for the colours of a painting’, to quote from Georges Starobinski’s liner notes to this recording. As they began to explore the songs of Franz, Starobinski and the baritone Christian Immler were moved by their findings to devise a programme which includes 23 of the composer’s often quite brief songs. Using the poet Heinrich Heine as their guiding star, they present these – all Heine settings but from different opus groups – in the form of two ‘imagined’ song cycles.

Yury Martynov - Beethoven & Liszt: Symphony No.9 (2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Feb. 8, 2017
Yury Martynov - Beethoven & Liszt: Symphony No.9 (2015) [TR24][OF]

Yury Martynov - Beethoven & Liszt: Symphony No.9
Classical | FLAC (tracks) 24-bit/48 kHz | 70:49 min | 607 MB | Digital booklet
Label: Alpha | Tracks: 04 | Rls.date: 2015

After four previous discs devoted to Franz Liszt’s transcriptions of the Beethoven symphonies, the pianist Yury Martynov completes the cycle with the transcription of the Ninth Symphony. The reduction of this complex work for a single piano and two hands – he had already adapted it for two pianos – constituted a genuine challenge for Liszt, who was obliged to omit certain inner parts. Yet he succeeded in reproducing the symphony’s prodigious character and revealing its incredible power.
Peter Schreier, Erik Werba - Peter Schreier: Mozart-Lieder (2016)

Peter Schreier, Erik Werba - Peter Schreier: Mozart-Lieder (2016)
EAC | APE (image+.cue, log) | Covers Included | 01:12:46 | 465 MB
Genre: Classical, Vocal | Label: Belvedere | Catalog: BCD08022

The concert that brought together Peter Schreier, the leading Mozart tenor of the 1970s from Dresden, and Erik Werba, the Vienna-born doyen of lied accompanists on 25 January 1978 featured 17 songs, the cantata with piano accompaniment “Die ihr des unermesslichen Weltalls Schöpfer ehrt” K619 from the final year of Mozart’s life, as well as two encore pieces.
Steven Osborne - Franz Liszt: Harmonies poétiques et religieuses (2004)

Steven Osborne - Franz Liszt: Harmonies poétiques et religieuses (2004)
EAC | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:23:44 | 211 MB
Genre: Classical | Label: Hyperion | Catalog: 67445

Anticipating the developments of his maturity, Franz Liszt's Harmonies poétiques et religieuses is an important transitional piece, if not especially coherent or profound. Liszt's sentimentality and chronic showmanship prevent this set of pious reveries from achieving the deepest spiritual dimensions. But there are many reflective moments in this work that indicate a growing seriousness and even presage the dark emotions and austerity of his final period. While the Invocation, Bénédiction de Dieu dans la solitude, and the Cantique d'amour are predictably ecstatic in their climaxes, each contains sustained passages of calm introspection.
Christiane Karg - Heimliche Aufforderung (Richard Strauss: Lieder) (2014)

Christiane Karg - Heimliche Aufforderung (Richard Strauss: Lieder) (2014)
Classical/Vocal | 1:11:00 | Mp3, 320 kbps | 165 MB
Label :Berlin Classics (Edel) | Year Of Release :2014

German soprano Christiane Karg has been heard mostly in operatic settings, but here she shifts gears effectively for the more intimate world of Richard Strauss' songs. Strauss composed most of his lieder for a pair of singers, one of them his wife, and the "secret invitation" of the title (which comes from one of the songs included) seems to connote a kind of secret vocal language as well as the lightly romantic mood of most of the music. Many sopranos avoid the songs for this reason, but Karg makes them her own. She avoids overdramatic moves, but she also makes you aware that you're listening to Strauss, not Schubert. The program is a good mixture of familiar pieces (although some standards that do not fit the theme are missing) and obscure tunes like Madrigal (track 13); the latter will be reason enough for some Strauss buffs to acquire the release. But the sense of fun that pervades the whole, not something you typically associate with Strauss, is the best reason. Berlin Classics benefits from above-average Bavarian Radio studio sound.

Franz Liszt - 100 Best Liszt (6CD Box Set) (2011)  Music

Posted by TmanHome at Feb. 6, 2017
Franz Liszt - 100 Best Liszt (6CD Box Set) (2011)

Franz Liszt - 100 Best Liszt (6CD Box Set) (2011)
Classical | MP3 320 kbps CBR | 461 min | 1,04 GB
Label: Warner Classics | Rel:2011

To celebrate the 200th birthday of this master pianist and composer, this 6-CD set contains a diverse collection of the 100 best-loved masterpieces of Franz Liszt. The first CD begins with complete performances of Liszt's two piano concertos, both firmly established as staples of the concerto repertoire. They are followed by extracts from a number of Liszt's other works for piano and orchestra including Fantasy on Hungarian Folk Themes and Malédiction. The next three CDs cover Liszt's huge output of works for solo piano, from miniatures like `La campanella' (`The little bell') using a melody by Paganini and `Un sospiro' (`A sigh'), to the massive Sonata in B minor that was used so poignantly by Sir Frederic Ashton in his memorable ballet Marguerite and Armand created for Margot Fonteyn and Rudolf Nureyev…
Werner Gura, Christoph Berner - Ludwig van Beethoven: Lieder & Bagatellen (2015)

Werner Güra, Christoph Berner - Ludwig van Beethoven: Lieder & Bagatellen (2015)
EAC | FLAC | Image (Cue&Log) ~ 210 Mb (incl 5%) | Mp3 (CBR320) ~ 160 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Harmonia Mundi | # HMC902217 | Time: 01:03:12

Beethoven as a giant of the symphony and the sonata has somewhat overshadowed Beethoven as a creator of songs. On this varied and insightful recording, tenor Werner Güra performs a program featuring Adelaide and the first song cycle in history, An die ferne Geliebte, that proves Beethoven's lieder lacked neither appeal nor originality. Accompanist Christoph Berner plays a Streicher fortepiano of 1847 that is perfectly suited to both the songs and to his solo performance of the wonderful Bagatelles of Op.126.