William John Evans, known as Bill Evans (pronunciation: /ˈɛvəns/, August 16, 1929 – September 15, 1980), was an American jazz pianist and composer who mostly worked in a trio setting. He is widely considered to be one of the greatest jazz pianists of all time, and is considered by some to have been the most influential post-World War II jazz pianist. Evans's use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Unlike many other jazz musicians of his time, Evans never embraced new movements like jazz fusion or free jazz.
This wonderful tribute concert to the hero of lyrical Jazz Piano features Kenny Wheeler, Gordon Beck and friends at the Brewhouse Theatre, London 1992. The prolific and exceptionally musical Evans was proufoundly influential across the Jazz world, and several of his finest compositions are performed in this exceptional tribute event.
This Canadian concert was performed shortly before drummer Marty Morell’s departure, and therefore, boasted a well-rehearsed unit. Before Eliot Zigmund’s arrival, Evans would make a duo album with Eddie Gomez entitled Intuition. The concert issued here was one of two performances recorded during that engagement, although not a single tune was played twice. The other concert has been issued on CD under the title of Blue in Green. Our concert, taken from a radio broadcast, has been long unavailable and appears here on CD for the first time ever. As a bonus to this rare concert, we have added the soundtrack from a TV show featuring the same Bill Evans trio, recorded in New York on September 17, 1972.
Orrin’s commentary (from his new liner notes): “I began constructing the 1960 definitive presentation of [Wes] Montgomery by recognizing the need to keep things as clear-cut and uncomplicated as possible. There were at least three unique aspects to his performing style: he played with his thumb, never using a pick… and his solos almost invariably included two elements routinely referred to as ‘impossible’—his use of octaves and of pianistic block chords. Self-taught (his first ‘lesson’ had involved heavy listening to Charlie Christian records) and never able to read music notation of any kind, he somehow possessed an unfailing command of the blues and of ballad tempo and was an impressive composer.”
In Memoriam. Orrin Keepnews, RIP. Jazz producer and record label found Orrin Keepnews died on Sunday at the age of 91. Keepnews was behind landmark recordings by jazz legends like Thelonious Monk, Bill Evans and Cannonball Adderley… Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary and arguably the most respected of all jazz producers, Orrin Keepnews.
A live recording with cuts from two concerts in Germany, it was recorded live to 24-track and later remixed for an amazing sound quality for a live album. Evans expands on the style of the late Miles Davis and the album is sometimes reminiscent stylistically of We Want Miles, but it has an individual touch due to the contributions from the different bandmembers. It's one of those rare live albums that is really enjoyable even if you were not at one of the shows. This album was voted Best Album of the Month by several large German publications.
Verve 60th Anniversary Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. Two different sides of Verve Records in the 50s – one modern, one a bit more traditional – and both represented in live material from the Newport Jazz Festival in 1957! Side one features a stunning live performance from pianist Teddy Wilson – working in a tight trio with Milt Hinton on bass and Spec Powell on drums – and really blowing away any conceptions we might have had about Wilson being aging or flowery at the time. Instead, he's got a sharp edge and command of the keys that's amazing – and which almost seems to have a bit more bite than usual in this concert setting.
William John "Bill" Evans , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today.
Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…