Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile … Full Descriptionbecause it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time"
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time" - "Apparently Frank's favourite, LUMPY GRAVY is certainly a masterpiece. Of sorts."
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile because it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
The early Zappa albums were treasured by the few and totally misunderstood by the majority. The brilliant SGT. PEPPER satire of the cover should have garnered extra sales, but no. Zappa's scathing wit homed in on modern middle-class America and West Coast hippies. The album offered 19 vignettes incorporating avant garde, doo-wop, some relatively conventional pop music and a lot of hilarious dialogue that was so hip it has never dated.
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
Official Release #67. As the title suggests, Have I Offended Someone? contains all of Zappa's notoriously tasteless parodies and satires, from "Bobby Brown Goes Down," "Catholic Girls," and "Jewish Princess" to "He's So Gay," "Titties 'n Beer," and "Dinah-Moe Humm." Nearly all of the tracks are presented in new remixed versions, and two songs, "Dumb All Over" and "Tinsel Town Rebellion," have never been released before.
Official Release #65. The full saga of Läther (pronounced leather) is tangled enough to give a migraine to all but committed Zappaphiles. Basically, what you need to know is that this project was originally conceived of as a four-record box set. When record company politics prevented its release in that format, much of the material was spread over the albums Live in New York, Sleep Dirt, Studio Tan, and Orchestral Favorites. This three-CD set presents the album as it was originally conceived, with the addition of four bonus tracks at the end. It mixes previously available material, alternate mixes, and edits, and previously unissued stuff, though only the most serious Zappa fans will have a good grip on exactly what has appeared where (the liner notes are surprisingly unexact in this regard).
Official Release #64. A 30-track compilation of rarities, spanning much of his career, but in the main confined to the 1960s and early '70s (some date from as early as the late '50s!). Much of it's previously unreleased, or extremely hard to locate. It's not just a collection of fan-oriented odds and ends, though. The material, for one thing, is extremely diverse, ranging from collaborations with Captain Beefheart and primitive teenage garage recordings to comic dialog to progressive instrumentals and orchestral pieces.
The Ed Palermo Big Band is led by alto saxist and arranger Ed Palermo; he has had this big band with much of the same personnel for over 30 years, which is an impressive feat in itself, and has had his band performing the music of Frank Zappa for 20 years. There are a number of ensembles performing the music of Frank Zappa, who is now recognized as one of the great 20th century American composers, but no one does it with this ease, skill and originality! The band is a 18 piece ensemble of five woodwind players, four trumpeters, three trombonists, two keyboardists, guitar, violin, bass and drum. All of these musicians are NYC professionals, and they have been playing this music for years with Ed, because, like Ed, they recognize and appreciate the genius inherent in the huge body of Zappa's work, and they want to keep this great music alive and in front of the public. OH NO! NOT JAZZ!! consists of two discs: The first disc further explores Ed's distinctive, big band interpretations of the music of Frank Zappa, while the second disc features Ed's own, colorful compositions.