This tale about inner artistic life is not the first in Marc Allégret's career; one can remember also, at least, his Entrée des artistes (1938) or even Sans famille (1934), where troubles of orphanage and vagrancy were less important than magic and mystery of art. You can smell this delicate scent of joy of artistic life and sadness of artistic freedom (forsakenness) in "Futures vedettes" too. The whole palette of feelings in the beginning of artistic career - fear, delight, fascination, hope, naïvety and so on - is concentrated in two main female roles: Brigitte Bardot & Isabelle Pia; and the latter, though now is unfairly forgotten, is even more strong and representative than the former.
In their first offering of recorded music as a trio, the Chick Corea New Trio has masterfully interpreted ten excellent, original compositions written by Chick Corea and one jazz standard written by Thomas "Fats" Waller on their Stretch Records CD titled Past, Present, and Futures. Just as the mind interprets what the ear hears, the trio's mind builds on Corea's meticulous and beautiful inspirations and arrive at concepts that are spiritual, metaphysical, and open-minded.
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