Russian pianist Denis Matsuev has established himself as one of the most dynamic and virtuosic performers of his generation, and his program on this RCA album with Alan Gilbert and the New York Philharmonic is ideally suited to his extraordinary abilities. The pairing of Sergey Rachmaninov's Piano Concerto No. 2 in C minor and George Gershwin's Rhapsody in Blue is a natural one, particularly because of the works' shared post-romanticism (note Rachmaninov's influence on Gershwin's slow theme in the Rhapsody), as well as for the dazzling writing for the piano in both works. Of course, the challenge for Matsuev is to make his part appear effortless, and he succeeds so well in both performances that listeners may be a bit blasé about his playing, taking it in without really considering what knuckle-busters these pieces really are.
Every Song Has its play is an Irish-English singer-songwriter Gilbert O’Sullivan’s fourth studio album, originally released in May 1995. The 14 tracks included in this album are soundtrack from his semi-autobiographical musical 'Every Song Has its Play' and it is one of O'Sullivan's best albums released in the 90s alonside 'Sounds of the Loop'.
Gilbert O'Sullivan is without doubt one of the UK's most successful singer songwriters. He became a worldwide superstar in the 70's topping the UK and US single charts. Today he continues to be regarded as one of the world s finest songwriters with his songs being covered by major artists including Michael Bublé, Neil Diamond and Nina Simone, with notable admirers including Paul Weller and Mick Hucknall. Gilbert has had 14 top 40 singles including 3 number 1 singles Clair , Get Down and Alone Again (Naturally) in the US. This new 2CD ultimate collection features all of his classic hits but also comes right up to date with his latest single No Way (which has been a massive hit at Radio 2) and the brand new single…
Himself is Irish-English singer-songwriter Gilbert O'Sullivan's debut album, originally released in August 1971. Union Square Music re-released it 2011 on Salvo label in part of the Gilbert O'Sullivan - A Singer & His Songs collection…
Following Paul Gilbert's last highly successful CD, "Fuzz Universe," "Vibrato" is a hybrid instrumental/vocal CD by an important guitarist regarded internationally as one of the greatest players in the industry. Boasting four phenomenal new instrumentals, four new vocal tunes and three riveting live tracks covering artists such as Yes, Muddy Waters and AC/DC, Gilbert once again proves why he is the guitarist's guitarist.
Paul Gilbert's second solo record "Flying Dog", is a combination of clever writing and awesome guitar work. As a member of the '80's premier guitar band RACER X and later, million sellers MR. BIG, Gilbert has gained reputation as being one of the most melodic and powerful guitar players in the rock arena. Gilbert's solo work has allowed him the opportunity to exercise his deep appreciation for the more song oriented side of rock music.
Digitally remastered and expanded edition of this 1974 album from the Irish/British singer/songwriter. Recorded in Los Angeles, Gilbert's fourth album, another UK Top Ten hit, is full of witty, carefully-crafted songs and very successfully blends his very British dancehall sensibility with a smooth West Coast feel. This remastered edition features seven non-album singles and hard-to-find B-sides as bonus tracks.
A sudden switch in image accompanied Gilbert O'Sullivan's second album, 1972's Back to Front and its simultaneously released separate single "Alone Again (Naturally)." Gone was the mischievous little scamp sporting a jaunty cap and hand-me-down tweeds, in was a slick, hairy-chested lothario and along with this visual makeover came an aural overhaul, with O'Sullivan's sprightly show tune-inspired pop sounding slicker than before. And it's not just that Back to Front is given a gloss that would not have seemed out of place on a televised variety show from 1972, it's that O'Sullivan is taking great care to write sprightly theatrical tunes, songs that take great pride in their clever-clever twists, smiling, crowd-pleasing melodies, and the proudly cheeky sentimentality that drips off of “Clair,” to name the most obvious example here. In many ways, the unabashed showbiz cheer of Back to Front trumps the bedsit introspection of Himself: in his heart Gilbert O’Sullivan is a song-and-dance man possessing a way with a snappy hook or tearjerking melody, qualities that are amply – and charmingly – displayed here.