Complété par quatre-vingt-cinq synopsis de films, cet ouvrage parvient à recréer, tout en l'analysant, l'atmosphère propre au cinéma d'Asie centrale soviétique.
JJohann Gottlieb Naumann, a contemporary of Joseph Haydn, was associated with Dresden, worked in Sweden and travelled in Italy. In his Passione di Gesù Cristo he concentrates on smaller scale emotions and conflicts – albeit in the context of the (conventional) Passion story. It was written, probably, in 1767. That’s quite an undertaking for a twenty-six year old, although Naumann already had several other vocal and choral successes to his name.
…So for most of us, just listening to the lively, polished performances by male and female singers, accompanied by various period instruments will be enjoyment enough–but for the more curious, the extensive and very well written liner notes offer a fine introduction to the deeper meaning of the texts and provide important context for each song. Four instrumental selections round out this flawlessly recorded program, enhanced by the ambience of the Spanish monastery venue.
Mediante la scrittura è possibile superare la confusione di sentimenti e di tensioni che ci imprigionano, diradare le nebbie del passato e del presente, avviare un processo di guarigione. La scrittura è, in altre parole, una terapia vera e propria che ci aiuta a sanare le ferite del passato, progettare l'avvenire, costruire il presente.
In 1865, General Gurko Lanen is dictator of "Lichtenburg" in the Balkans. Rightful ruler Zona hopes to get aid from Napoleon III of France. The visiting Count of Monte Cristo falls for Zona and undertakes to help her, masquerading as a foppish banker and a masked freedom fighter. The rest is rapid-fire intrigue and derring-do.