Following his compendious sets of music by the outstanding figures of Minimalism such as Philip Glass, Terry Riley and Michael Nyman, Jeroen van Veen returns to Brilliant Classics with new recordings of the grandfather, inspiring figure of the genre, Erik Satie. Not that Satie himself would have recognised the term, coined by Nyman in the early 70s, but in saying new things in a quiet voice, swimming against the tide of Romanticism, he influenced not only Debussy, Ravel, Les Six and countless artists of any medium…
The protean and prolific Jeroen van Veen turns his attention to Erik Satie’s complete piano works for a 9-CD boxed set that ties in with the composer’s 150th birthday year. In a way, the collection is completer than complete. It includes all of Satie’s published and unpublished works for solo piano and piano duo, piano arrangements of theater scores as Le fils des étoiles, Darius Milhaud’s transcription of Cinéma.
There's perhaps a touch of irony in the title of Dutch pianist and composer Jeroen van Veen's box set Minimal Piano Collection because at nine discs, it's a pretty massive collection. The program booklet notes that he recorded the entire set, which includes more than ten hours of music, in only six days, an astounding feat. In the program notes, van Veen offers a remarkably clear and concise history of minimalism in music. He defines it broadly enough (following the lead of composer and critic Tom Johnson) to include works by Friedrich Nietzsche and Satie. Philip Glass is the composer most widely represented, with three of the set's nine CDs devoted to his music originally for piano, as well as transcriptions from his film scores and operas. Two discs are given to van Veen's mammoth 24 Préludes, organized according to the framework of Bach's Well-Tempered Clavier. Other composers range from the very well known, such as Michael Nyman, John Adams, Terry Riley, Arvo Pärt, and John Cage, to the familiar-to-specialists, like Tom Johnson, Wim Mertens, and Jacob ter Veldhuis, to those little-known to American audiences, like Klaas de Vries, Simeon ten Holt, John Borstlap, Yann Tiersen, and Carlos Micháns.
Having made a gradual switch during the 15 years since his first album was published from electronica to instrumental variations on ambient and minimalism, Max Richter is among the most commercially successful composers of our time. This album of his solo piano music belongs in the genre explored so thoroughly for Brilliant Classics by Jeroen van Veen, whose prolific recording history includes hugely popular albums of Philip Glass (BC9419) and Michael Nyman (BC95112), Ludovico Einaudi (BC94910) and Yann Tiersen (BC95129) and his fellow Dutch musician Jakob ter Veldhuis (BC94873) and himself (BC9454). The appetite for slowly moving, unchallenging, post-Minimalist music is apparently infinite, and so this new album is sure to be a success.
“Eleven discs, fourteen hours of music. After the successful issue of Minimal Piano Collection I-IX Jeroen van Veen & friends have recorded works for 2 to 6 pianos, from - among others - Ten Holt, Eisenga, Meijering, Glass, Pärt, and Reich. With swinging effects, transformations and challenging rhythms…."
This unusual collection is dedicated to the very popular style: minimal music. Over the years this has evolved from austere, almost strict repetition with tiny movements to a more varied and free approach to material and technique. This set includes works for piano solo by most of the famous minimal composers. Starting with initiator, if you will, Cage, and followed by the first generation entirely devoting itself to this style: Riley and Glass. The next generation is represented by John Adams and Michael Nyman. Dutch pianist Jeroen van Veen is fascinated by minimal music.