Humphrey Lyttleton's a British bandleader, but he makes a rare appearance here on Bethelehem Records in the US – on a session that was one of the early ones recorded in Landsdowne Studios! The group's a small one, and features some especially great work from Tony Coe on alto and clarinet – still in a relatively swing-based mode, but already with those sharp edges that we love so much – and the rest of the record has a similar blend of older jazz with modern inflections, played by a group that also includes Johnny Picard on trombone, Ian Armit on piano, and Jimmy Skidmore on tenor – plus Humph himself on trumpet. Titles include "Love For Sale", "Undecided", "Willow Weep For Me", "Blue Lou", "Prelude To A Kiss", and "Bewitched".
Long before he'd evolved into a fully-fledged cult figure, Joe Meek was the UK's first fully independent record producer. This unique 2CD set traces his career from his earliest sessions, as a sound balance engineer in the mid-'50s, to his emergence as a major songwriter and hit maker in the early '60s. It includes many of Meek's biggest records, including five UK # 1s by, Anne Shelton, Lonnie Donegan, Frankie Vaughan, Emile Ford and John Leyton, plus several other major million selling hits! Indeed, more than half of the sixty sides included herein were significant UK hits. This set also includes several collectors' rarities, previously unavailable on CD, most notably Gary Miller's unfeasibly-rare 'Moby Dick'. John Fraser's 'Golden Cage' and Geoff Goddard's 'Girl Bride'. If you are looking for what is by far the most interesting Joe Meek-related compilation for years then this is it!
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar approach that blends her amazingly spiritual flute lines with rich larger backings – in this case arranged by Horace Ott, Alphonse Mouzon, and Wade Marcus, in a sublime blend of electric jazz and soaring strings – all with a feel that's almost like some lost blacksploitation soundtrack!