…That's the way it is with the Indigo Girls – perfect harmony between the elements.
…The Girls continue to be two of the most literate, engaging, and important songwriters in the folk-rock scene as they tackle issues ranging from Native American awareness to governmental misdoing. No misfires here, just a steady shot echoing forth.
Most of the Indigo Girls' songs sound even better live. Amy Ray and Amy Saliers really rock in the live setting, where their powerful vocals and mighty abilities with a pair of acoustic guitars truly shine…
…This self-titled release captures the passion of their youth with voices that are a little cloudy, untamed, and raw, but the power that surges through them suggests a maturity far beyond their years. The same can be said of the songwriting – sheer poetry. To attempt examinations of these songs would not do them justice, for the layers of meaning and emotion unfold best upon repeated listening.
The opening tom hits and fuzzbox riffs that start Indigo Meadow give the indication that this is yet another turn on the Black Angels' merry-go-round of stoner rock and neo-psychedelia. However, the third song, "Don't Play with Guns," takes a decided turn with its big pop single hook, and the follow-ups "Holland" and "The Day" follow suit, as songs that are more carefully structured than the usual two-chord repetition that we've grown to expect. Not that there's anything wrong with the sound of bands like Spacemen 3 and Black Rebel Motorcycle Club, but after several albums based on repetition, this is a pleasant, unexpected change for the Austinites.