Joe Sample returns to the smooth jazz style of his popular albums Rainbow Seeker, Carmel, and Voices in the Rain on 1983's The Hunter. The keyboardist fills up a studio with like-minded session musicians including trumpeter Tom Browne, horn players Chuck Findley, Jerry Hey, and Ernie Watts, guitarists Dean Parks, David Spinozza, and Phil Upchurch, bassists Abraham Laboriel and Marcus Miller, percussionist Paulinho Da Costa, and drummer Steve Gadd, and sets them loose on some rhythmic tracks with a rock/R&B feel.
In case anyone has forgotten how ingratiating and prolific Joe Sample the songwriter has been, the master of elegant funk re-records 14 songs here. And it is a cooler, more reflective light in which Sample and producer George Duke see his old tunes in the '90s: with relaxed, uncomplicated, to-the-point acoustic piano leads; a mildly percolating beat; and a veneer-thin garnish of electronics.
One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss – except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years – but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name.
The Collection is a compilation album by Joe Cocker, released in 1986 by Castle Communications.
Hope Sandoval isn't the quickest worker, it took Mazzy Star almost 20 years to put out their fourth album, and this record comes seven years after the last one she made with Colm Ó Cíosóig under the Warm Inventions name. Despite the time it took to arrive, Until the Hunter is no great departure for the duo. It features many hushed, lit-by-candlelight ballads, loads of quiet beauty, and Sandoval's timelessly beautiful singing. Songs drift by on a wispy cloud of acoustic strumming, lazily twanged slide guitar, and twinkling keys, sometimes gently pushed forward by lightly brushed drums, sometimes left to float along on their own. New to the mix this time is vibraphone, as played by Sandoval, and a couple songs that stretch her horizons just a bit…
With such an abundance of great tracks that were never issued as singles, in many ways, a single-disc Joe Jackson best-of just doesn't cut it. That's where the extensive, three-disc comp Ultimate Collection comes in handy. While artist collections are usually aimed at the casual fan (in search of strictly an artist's best known tracks), the third disc of Ultimate Collection will definitely appeal to the hardcore fan, as it's the first-ever CD release of Jackson's soundtrack to Mike's Murder. Jackson's early, new wave direction is evident on such standouts as "Sunday Papers," "I'm the Man," "One More Time," and of course, "Is She Really Going Out With Him" (one complaint though – the omission of "Look Sharp").