Joe Sample The Hunter

Joe Sample - The Hunter (1983)  Music

Posted by TestTickles at Sept. 26, 2016
Joe Sample - The Hunter (1983)

Joe Sample - The Hunter (1983)
EAC Rip | FLAC with CUE and log | scans | 196 mb
MP3 CBR 320kbps | RAR | 85 mb
Genre: jazz, smooth jazz

The Hunter is the 1983 album by The Crusaders' keyboardist, Joe Sample. Released by MCA Records, this was his fifth solo recording.

Joe Sample - The Hunter (1983) {1st US press}  Music

Posted by tiburon at Jan. 18, 2013
Joe Sample - The Hunter (1983) {1st US press}

Joe Sample - The Hunter (1983) {1st US press}
EAC 1.0b3 | FLAC tracks level 6 | Cue+Log+M3U | Full Scans 200dpi | 201MB + 5% Recovery
Genre: Fusion, Smooth Jazz

Joe Sample returns to the smooth jazz style of his popular albums Rainbow Seeker, Carmel, and Voices in the Rain on 1983's The Hunter. The keyboardist fills up a studio with like-minded session musicians including trumpeter Tom Browne, horn players Chuck Findley, Jerry Hey, and Ernie Watts, guitarists Dean Parks, David Spinozza, and Phil Upchurch, bassists Abraham Laboriel and Marcus Miller, percussionist Paulinho Da Costa, and drummer Steve Gadd, and sets them loose on some rhythmic tracks with a rock/R&B feel.

Joe Sample: The Three [96/24 Stereo LP Rip, Direct to Disc]  Music

Posted by dimsal at Sept. 26, 2008
Joe Sample: The Three [96/24 Stereo LP Rip, Direct to Disc]

Joe Sample: The Three [96/24 Stereo LP Rip, Direct to Disc]
WAV | 24bit | 96Khz | Stereo | 680 Mb
Styles: JazzDownload: RapidShare


1976 Direct-To-Disc Original. Joe Sample, Piano; Ray Brown, Bass; Shelly Manne, Drums.

Joe Sample - The Pecan Tree  Music

Posted by karfaks at May 16, 2008
Joe Sample - The Pecan Tree

Joe Sample - The Pecan Tree
FLAC (tracks) | 348 Mb | MP3 | 320 kbps | 130 Mb | 2002

Joe Sample - The Best Of  Music

Posted by adinda at Nov. 16, 2007
Joe Sample - The Best Of

Joe Sample - The Best Of
Jazz| MP3 |192 kbps | 81 MB | 1998



Joe Sample - Sample This (1997) {Warner}  Music

Posted by tiburon at March 6, 2016
Joe Sample - Sample This (1997) {Warner}

Joe Sample - Sample This (1997) {Warner}
EAC 0.95b4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 458MB + 5% Recovery
MP3 CBR 320 Kbps | 209MB + 5% Recovery
Genre: Jazz-Funk, Smooth Jazz, R&B

In case anyone has forgotten how ingratiating and prolific Joe Sample the songwriter has been, the master of elegant funk re-records 14 songs here. And it is a cooler, more reflective light in which Sample and producer George Duke see his old tunes in the '90s: with relaxed, uncomplicated, to-the-point acoustic piano leads; a mildly percolating beat; and a veneer-thin garnish of electronics.
Joe Sample / Ray Brown / Shelly Manne - The Three (1975) {Japanese pressing}

Joe Sample / Ray Brown / Shelly Manne - The Three (1975) {Japanese pressing}
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U | Photos | 149MB + 5% Recovery
Genre: Jazz

One of the most successful Japanese piano trio recordings of the 70s – a super-session performed by a a trio of Americans that includes Joe Sample on acoustic piano, Ray Brown on bass, and Shelly Manne on drums! Given that Sample's best known during the era for his electric keys with the Crusaders (and on countless studio sessions), it's a real treat to hear him tickle the ivories in an acoustic way – and a genuine surprise to hear how strong his work is in such a format.

Joe Sample - Roles (1987) {MCA}  Music

Posted by tiburon at Feb. 13, 2017
Joe Sample - Roles (1987) {MCA}

Joe Sample - Roles (1987) {MCA}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 374MB + 5% Recovery
MP3 CBR 320 Kbps | 200MB + 5% Recovery
Genre: Jazz-Funk, Fusion, Smooth Jazz

One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late '50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders' debt to Art Blakey's Jazz Messengers wasn't hard to miss – except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during the Crusaders' early years – but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early '70s and dropped "Jazz" from its name.

The Hunter's Guide to Butchering, Smoking, and Curing Wild Game and Fish  eBooks & eLearning

Posted by IrGens at Sept. 19, 2017
The Hunter's Guide to Butchering, Smoking, and Curing Wild Game and Fish

The Hunter's Guide to Butchering, Smoking, and Curing Wild Game and Fish by Philip Hasheider
English | July 22, 2013 | ISBN: 0760343756, ASIN: B00GSW0O00 | AZW3 | 224 pages | 25.6MB

Paul Horn, Stan Getz, Joe Farrell - The Great Jazz Gala '80 (1988)  Music

Posted by Domestos at Sept. 15, 2017
Paul Horn, Stan Getz, Joe Farrell - The Great Jazz Gala '80 (1988)

Paul Horn, Stan Getz, Joe Farrell - The Great Jazz Gala '80 (1988)
EAC Rip | FLAC (tracks+.cue, log) ~ 359.39 Mb | 72:44 | Scans included
Bop, Swing | Label: Fortune (CD 3003)

Live at Midem with Stan Getz, Paul Horn, Mike Garson, and Jazz Gala '80 are a continuation of a new tradition at Midem — a performance and recording of major jazz artists and the up and coming international jazz stars at the world record convention. Stan Getz traveled from Fort Lauderdale, Florida, taking leave from a gig at Bubba's and arrived in Cannes with his musicians: Andy Leverne, Brian Bromberg, Chuck Loeb, Victor Jones, on the morning of the 23rd of January '80. The show and recording session were that evening taped with a twenty-four track mobile unit from Paris. Paul Horn was in Cannes for Midem, having traveled from his home in Canada. Sugar Blue and Patrick Artero arrived the day before by train from Paris, and Gayle Moran, Joe Farrell and Mike Garson suffered a time differential of nine hours between the South of France and their homes in Los Angeles. The show's form and substance took shape at the rehearsel. Jean Claude Ast, the French assistant producer orchestrated the complex rehearsel schedule with musicians and technical people staying at dozens of hotels in Cannes.