Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.
The epic grandeur of Der Rosenkavalier stems not just from its immense length (over three hours) but from the all-too-human complexity of its characters–each of whom is smitten with someone else–and the endless stream of graceful melodies the composer conjures. After the tonality-stretching dissonance of Salome and especially Elektra, Strauss moved onto a different musical path here: the music's sheer gorgeousness has given this most heartbreaking of 20th-century operas its pride of place in the repertory.
All five titles included in this set feature a DTS 5.1 surround mix, available for the first time for these programs. Carlos Kleiber’s appearances, whether in the concert hall or opera house, were legendary both for their rarity and the sublime quality of the music-making. It is no exaggeration to say that Kleiber was one of the most sought-after and highly-regarded conductors of the late 20th century.
Carlos Kleiber was perhaps the most highly regarded conductor of the late 20th century, but his relatively few excursions into the studio have left the musical world with a frustratingly small number of recordings. Thus we are particularly fortunate that, from among the relatively few appearances in his career, several concerts, one operetta and two operas were filmed. This concert with the Bayerisches Staatsorchester from Munich's Herkulessaal in October 1996 was on of his last.
Carlos Kleiber was perhaps the most highly regarded conductor of the late 20th century, but his relatively few excursions into the studio have left the musical world with a frustratingly small number of recordings. Thus we are particularly fortunate that, from among the relatively few appearances in his career, several concerts, one operetta and two operas were filmed.
The art of conducting was certainly imbued in Carlos Kleiber's whole persona and these magnificent performances of Beethoven's Fourth and Seventh symphonies find him on home ground with the excellent Concertgebouw Orchestra. Recorded in 1983, these concerts are a final testament to the art of great symphonic conducting and should definitely be in every serious music lover's collection.
"The Kleiber must-haves are two New Year's concerts with the Vienna Philharmonic (1989, from Deutsche Grammophon; 1992, from Philips). Here is the very essence of joyous music-making with the added visual value of the sumptuous large hall of the Musikverein in Vienna." - New York Times