Over the years, the young pianist Albert Sanz (Valencia, 1978) has become one of the leading jazz stronger in our country. Because of his age has toured with musicians such as Kurt Rosenwinkel, Chris Cheek and Joe Lovano, and is a regular contributor to artists like Jordi Rossy or Perico Sambeat. After his decisive role in one of the great successes of recent Spanish jazz (in the imagination with Silvia Perez Cruz & Javier Colina Trio), Albert Sanz takes a step forward and presents an ambitious new album. A project that makes him one of the great jazz musicians of Spanish who, increasingly, is also recognized beyond our borders.
The new Stax Classics series celebrates the iconic label's greatest stars, offering new liner notes, label discographies and 12 choice cuts from the artists' Stax catalog. This collection highlights one of the most influential bluesmen in history, Albert King, who single-handedly ushered blues into the modern era by combining his direct, urgent Mississippi blues style with contemporary soul rhythms, continually redefining the state of the genre. During his nine years on the label, the prolific artist released dozens of innovative hits and became one of the few blues artists to break through to the young, white rock crowd, influencing many of the biggest rock stars of the 60s and 70s, including Jimi Hendrix and Eric Clapton. This album includes such classics as 'Crosscut Saw,' 'Born Under a Bad Sign,' and 'Breaking Up Somebody's Home.'
Adapté et réalisé par Jacques Garnier. Une histoire du journal Pilote.
Dans les années 60, les feuilletons à suivre étaient chose courante à la radio. Quelques séries de bande-dessinée eurent l'honneur d'une adaptation sonore. En 1960, sur Radio Luxembourg, une émission intitulée "Pilote" (du nom de l'hebdomadaire de bande-dessinée) proposa une adaptation de l'album "Astérix le gaulois", et une autre de "La serpe d'or"…