Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).
Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.
2009 release from the Jazz great containing Smith's complete classic Sermon sessions, in chronological order, together for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. The great Jimmy Smiths was a Jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument.
The Cooker is an album by the jazz trumpeter Lee Morgan, released on the Blue Note label in 1958 as BLP 1578. It was recorded on September 29, 1957, and features a quintet featuring Morgan, Pepper Adams, fellow Jazz Messenger Bobby Timmons, Paul Chambers and Philly Joe Jones. The Allmusic review by Scott Yanow awarded the album 3.5 stars, stating "Morgan plays remarkably well for his age (already ranking just below Dizzy Gillespie and Miles Davis), making this an essential acquisition".
The Gigolo is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1965. It was recorded on June 25 & July 1, 1965 and features performances by Morgan with a quintet featuring Wayne Shorter, Harold Mabern, Bob Cranshaw and Billy Higgins. The Allmusic review by Scott Yanow awarded the album 4½ stars stating "There are no weak selections on this set and the playing by the leader, Wayne Shorter on tenor, pianist Harold Mabern, bassist Bob Cranshaw, and drummer Billy Higgins is beyond any serious criticism."
Lost genius from trumpeter Lee Morgan – a session recorded for Blue Note in 1967, but not issued until the late 70s – and even then, only for a very short time! The session has Morgan moving into that wonderful last stage of his career – working in tight formation towards a sound that still had that groovier hardbop styles of earlier recordings, but which also unfolds towards a more ambitious spiritual jazz mode. The writing on the session is superb – original tunes that crackle with energy in a surge of dark notes and shadowy moods, inspiring the soloists to express themselves at levels that rank with their best work of the time!
Features SHM-CD format and the latest 24bit 192kHz remastering. As Lee Morgan's career moved from hard and post-bop to soul-jazz, Delightfulee serves as a further bridge in a half-and-half fashion. Four of the seven cuts feature his potent quintet with a young and emerging tenor saxophonist, Joe Henderson, as his front line mate, McCoy Tyner ever brilliant on piano, and Billy Higgins firing up the rhythm as only the drummer could. The remainder of the date consists of tracks orchestrated by Oliver Nelson featuring an 11-piece ensemble. There are two selections that feature versions of compositions with both configurations.