One might be forgiven for mistaking the Lounge Lizards' debut album for a traditional jazz release at a glance, what with the two Thelonious Monk covers and the participation of producer Teo Macero (who had previously worked with such heavyweights as Miles Davis, Dave Brubeck and Ella Fitzgerald, to name just a few). No, while there's definitely great respect shown here for the jazz tradition, the members are obviously coming at it from different backgrounds — most especially guitarist Arto Lindsay, whose occasional atonal string scraping owes far more to his experience in New York City's no wave scene than to quote unquote traditional jazz. In fact, the two aforementioned Monk covers seem a strange choice when you actually hear the band, which has more in common with sonic experimentalists like Ornette Coleman or Sun Ra. That's not to say that this is too experimental; saxophonist and lead Lizard John Lurie knows when to blow noise and when to blow melody, and ex-Feelies drummer Anton Fier manages to infuse a good rock feel into the drum parts even when he's playing incredibly complex rhythms. The end result is a album that neatly straddle both worlds, whether it's the noir-ish "Incident on South Street," the art-funk of "Do the Wrong Thing," or the thrash-bebop found in "Wangling"."
Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download. Each CD featured detailed liner notes along with two related drink recipes, tips on how to serve drinks to guests, and often photographs of sculptures made out of bartender items and other objects.
John Lurie was one of the most important artists of the 1980s. He led the brilliant rotating Lounge Lizards lineup and had key roles in two legendary Jim Jarmusch movies, Down By Law and Stranger Than Paradise. It seems everything the dude was involved in during the 80s was dope, but it didn't stop once he formed his strong John Lurie National Orchestra at the end of the decade. The group released this one album during its lifetime and it doesn't disappoint. The group is made up of Lurie on horns and two other percussionists.
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