Passaggio, Lavinia Meijer's first release on Sony, is an album of the crossover music of Ludovico Einaudi, an Italian composer and pianist who encouraged the Dutch harpist to record some of his most popular pieces. The playing on this 2013 album is highly polished and appealing, and Meijer demonstrates considerable powers of concentration and precision in performances of her harp transcriptions of Einaudi's keyboard music. Some will find Meijer's renditions emotionally communicative and mood enhancing, and most of the credit for their effectiveness belongs to her, because Einaudi's modal harmonies and conventional patterns tend toward a bland prettiness, or pretty blandness, that's all of a piece. Simple melodies and repeated arpeggiated chords have the instant attraction of minimalist music, and simplicity is often a virtue in the proper context. Sony's recording is clear and close-up, and Meijer has presence in a fairly resonant studio space.
A selection of songs from Einaudi's 2007 album, specially transcribed for solo piano. The composer writes, In this folio you will find most of the music from the Divenire album. …
Outstanding execution by Jeroen Van Veen with superb sound quality. Einaudi's work is difficult to categorize as he pulls classical, pop, new age and cinematic ideas into thoughtfully crafted modern pieces. Highly appealing because it's simply all very good.
The music of Italian pianist/composer Ludovico Einaudi, poised between Glass' minimalism and the shifting shades of the ambient movement, has gained more traction in Europe than in the Western hemisphere. That could change with this release by Canadian violinist Angele Dubeau and her chamber orchestra (with piano), La Pieta. Dubeau and Francois Vallieres have arranged a variety of Einaudi's pieces, most of them at his typical length of four or five minutes, for the violin-and-orchestra combination. Thoughts on it will depend largely on what some think of Einaudi's music to begin with. For those who are new to it, start with one of Einaudi's own recordings. The music of the general minimalist orbit usually stands up well to being arranged – think of the multiple versions of Arvo Part's major works, where such adaptability is almost a hallmark of the style – but Einaudi is so oriented toward the spaces inside the notes of a solo piano that you might think this version dilutes it a bit. On the other hand, Einaudi has composed music for many instruments other than the piano.