Miles Davis

Miles Davis - Live in Munich (1988) [DVD9] Repost  Music

Posted by juanchito at Feb. 21, 2017
Miles Davis - Live in Munich (1988) [DVD9] Repost

Miles Davis - Live in Munich (1988)
DVD9 | NTSC 4:3 (720x480) VBR | Audio: AC3, 3/2ch, 448Kbps, Delay 0 mSec | 7.59 GB
Jazz | Length: 138 min

Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}  Music

Posted by ruskaval at Feb. 17, 2017
Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}

Miles Davis - Live In Tokyo 1975 (2015) {2CD Hi Hat HH2CD012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 500 Mb | MP3 @320 -> 190 Mb
Full Artwork @ 600 dpi (png) -> 229 Mb | 5% repair rar
© 1975, 2015 Hi Hat | HH2CD012
Jazz / Jazz Funk / Fusion / Jazz Rock / Trumpet

Massive electric Miles from the same Japanese tour that gave the world the Panagaea and Agharta albums – tracks that were recorded ten days before the concert that appeared on those records, with different songs as well! The music is a dark brew of funk, fusion, and some surprisingly spiritual currents – thanks to wonderful work from Sonny Fortune on alto, soprano sax, and flute – working here alongside guitarist Pete Cosey, who provides plenty of the fuzzier, freakier moments of the set – as does keyboardist Reggie Lucas! Al Foster's drumming is wonderful – and Michael Henderson's bass will blow you away if you only know his later smoother soul albums – but as usual, Miles is the star once he opens up his horn and steps into the darkness.
Miles Davis - Bluing (1949-1951) {Past Perfect Silver Line 204377-203 rel 2000}

Miles Davis - Bluing (1949-1951) {Past Perfect Silver Line 204377-203 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 56 Mb | 5% repair rar
© 1949-51, 2000 Past Perfect Silver Line / TIM The International Music Company AG | 204377-203
Jazz / Bop / Cool / Trumpet

Rare deluxe compilation that sounds and looks in all ways amazing. Some great picks on here in Miles' own Deception, Gerry Mulligan's Jeru or Baden Powell's Budo for starters. Lovely audophile piece in lovely taste.

Miles Davis - Miles Deep (2016) {Rolling Stone}  Music

Posted by shamanicus at Feb. 11, 2017
Miles Davis - Miles Deep (2016) {Rolling Stone}

Miles Davis - Miles Deep (2016)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 370 mb | MP3 CBR 320kbps | RAR | 125 mb
Jazz, Cool Jazz, Bebop | Label:

Miles Davis published more than 40 albums during his lifetime. The classics "Kind Of Blue", "Sketches Of Spain" and "Bitches Brew" should have even less jazz-interested listeners in their collection. "Miles Deep" now approaches the big man's work on sidewalks: through fantastic live versions and less well-known studios.
Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961) {Official Digital Download 24-bit/44.1 kHz}

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961)
FLAC (Tracks) 24-bit/44.1 kHz | Digital Booklet | 00:40:04 | 430 Mb | 5% Recovery
Official Digital Download | Studio Master | Jazz, Hard Bop | © 2007 Concord Music Group
Rudy Van Gelder Remaster

Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live) (1964/2017) [TR24][OF]

The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live)
Jazz | FLAC (tracks) 24-bit/96 kHz | 51:15 min | 1.09 GB | Front Cover
Label: Columbia/Legacy | Tracks: 06 | Rls.date: 1964/2017

This Columbia LP features Miles Davis' Sextet (with John Coltrane and Cannonball Adderley) and the Thelonious Monk Quartet (with Pee Wee Russell) at the 1958 Newport Jazz Festival; their rapid version of "Ah Leu Cha" is thunderous and "Straight No Chaser" swings like mad. This set also includes three laid-back selections ("On Green Dolphin Street," "Fran Dance," and "Stella by Starlight") from a slightly earlier studio date, along with a different version of "On Green Dolphin Street" from 1961. This classic music has since been reissued on CD. Review by Scott Yanow
Miles Davis - Bitches Brew (1970) {2014, Limited Edition, Remastered, MFSL UDSACD 2-2149} [2x SACD ISO + FLAC 24/88]

Miles Davis - Bitches Brew (1970) {2x SACD, Limited Edition, Remastered}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 4,01 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 1,97 Gb | 5% Recovery
Jazz, Fusion | 00:47:16 + 00:47:05 | © 2014 Mobile Fidelity Sound Lab #UDSACD 2-2149

Bitches Brew is a studio double album by American jazz musician Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Bitches Brew was Davis's first gold record; it sold more than half a million copies. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.

Workin' with The Miles Davis Quintet (1959) [TR24][SM][OF]  Vinyl & HR

Posted by popsakov at Jan. 24, 2017
Workin' with The Miles Davis Quintet (1959) [TR24][SM][OF]

Workin' with The Miles Davis Quintet (1959)
FLAC (Tracks) 24-bit/44.1 kHz | Digital Booklet | 00:42:24 | 502 Mb | 5% Recovery
Jazz, Hard Bop | © 2006 Concord Music Group
Rudy Van Gelder Remaster

Undeniably one of the best small bands in the history of jazz, the Miles Davis quintet of the mid-1950s made history at the Cafe Bohemia on Manhattan's Barrow Street and in the New Jersey studio of Rudy Van Gelder for Prestige. This is the third in a series of four LPs taped in two marathon studio sessions, done in the style of sets at the Bohemia and producing music of high energy and immediacy. Preceded by Cookin' and Relaxin' , Workin' is a mix of standards and originals, up-tempos and ballads, and a trio number, "Ahmad's Blues." The music this quintet made in the mid-Fifties period will live forever: the excitement of the emerging…
Miles Davis - Live - Evil (1971/2014) [Official Digital Download 24bit/96kHz]

Miles Davis - Live-Evil (1971/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 101:56 minutes | 2,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

Miles Davis' album Live-Evil was originally released in 1971 by Columbia Records. The jazz album is a collection of songs from Davis' live performances spanning throughout 1970. Live-Evil was originally planned to be a follow up to Bitches Brew, however the idea was withdrawn after it became clear that the two albums had little to no semblance.
Miles Davis - On The Corner (1974/2014) [Official Digital Download 24bit/96kHz]

Miles Davis - On The Corner (1974/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 54:46 minutes | 1,28 GB
Studio Master, Official Digital Download | Artwork: Front cover

On the Corner is a studio album by jazz musician Miles Davis, recorded in June and July 1972 and released in 1974 on Columbia Records. Drawing on funk and rock music, the work of experimental composer Karlheinz Stockhausen, and electronic recording techniques, it was in part an attempt by Davis to reach a younger African American audience. Instead, it became one of his worst-selling recordings and was scorned by establishment jazz critics at the time of its release. It was also his last studio album of the 1970s; for the remainder of the decade he recorded haphazardly and focused instead on live performance before temporarily retiring from music in 1975.