"Last year we gave a performance here in the Teatro Real of Monteverdi’s Orfeo, this year we have Ulisse and next year Poppea. We’re no longer in Mantova and we’re no longer in the Court of the Prince. We’re in Venezia and essentially [at] the beginning of the public opera house. We’re also at the beginning of what will become opera seria, that’s to say beyond the instrumental colors, the great dances and the great pageants, [are] the beautiful effects of the singing, it’s bel-canto and so the orchestral accompaniment becomes simpler…"- from William Christie’s interview 2008 included on in the DVD
Familiar to UK audiences as a recitalist, Dietrich Henschel has been inexplicably neglected by this country's opera companies. You get a strong sense of what a theatrical animal he is, however, from his performance of the title role in this flawed but compelling production of L'Orfeo, filmed in Madrid last year. The subtlety of Henschel's acting matches the complexity of his vocal characterisation so that, by the end, you not only feel you've been taken on a vast journey from joy to grief and back again, but also believe that Orfeo's own music really has the power to affect both gods and nature…Tim Ashley
These seven discs recorded between 1995 and 2000 make up a fabulous anthology of early seventeenth-century Italian music. A large number of composers are gathered round the central figure of Claudio Monteverdi; while some of them, like Salomone Rossi, Biagio Marini and Dario Castello, are among the musicians with whom he worked in Mantua or Venice, others illustrate the extraordinary musical creativity of the period, whether it be Sigismondo d’India, Tarquinio Merula, Francesco Cavalli, Alessandro Grandi, or so many other lesser-known personalities, each of whom helped to build the rapidly growing edifice of Italian Baroque music.
This innovative programme, created at Ambronay Festival in 2009 by the Argentine Leonardo García Alarcón chief sees musicians alternate between baroque and modern instruments to interpret the most beautiful pages of Astor Piazzólla (Milonga del Angel, Ballada para un loco) and Claudio Monteverdi (Lamento della ninfa, Orfeo). During the extensive live tour of this project in 2009, members of the audience pointed out that in the end they didn't know where Monteverdi stopped and Piazzolla began.
Christie is an British rock band that formed in 1969 by Jeff Christie (guitar, vocals, keyboards), Vic Elmes (guitar) and Michael Blakley (drums, piano). They are best remembered for their UK chart-topping hit single "Yellow River", released in 1970. In 1971 Blakley was replaced by Bob Fenton and in 1972 Lem Lenton joined them as bass player. The band was reformed in 1974 with Roger Flavell (bass), Danny Krieger (guitar) and Terry Fogg (drums).
Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period. He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque. Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is the earliest surviving opera that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime.