Mose Allison's career in his golden and quite fruitful years has yielded many surprises and challenges, not the least of which is this delightful offering. He continues to write attractive, bouncy, and fun tunes carried by his signature roiling piano style and sly lyrics. For this effort, producer and Allison disciple Ben Sidran hooked him up with musicians from the modern New Orleans jazz scene, including Astral Project members – the extraordinary drummer John Vidacovich, tenor saxophonist Tony Dagradi, and guitarist Steve Masakowski.
Mose Allison, who was a musical institution long before 1987, had not run out of creative juices after 30 years of major league performances. This set finds him introducing such ironically truthful songs as "Ever Since The World Ended," "Top Forty," "I Looked In The Mirror" and "What's Your Movie." The many guest artists (including altoist Arthur Blythe, tenor-saxophonist Bennie Wallace, Bob Malach on both alto and tenor and guitarist Kenny Burrell) are unnecessary frivolities but Allison's trio (with bassist Dennis Irwin and drummer Tom Whaley) is tight and ably backs the unique singer-pianist.
The Mose Allison installment in Atlantic's Jazz Anthology series of 1970 is superior to most in that line simply on the grounds of time. Since Allison's songs were usually brief, Atlantic was able to fit 12 of them onto a single LP and thus provide a wider selection of his output, unlike others in that series that included only five or six tracks, making it serve as a pretty good capsule introduction to one of American music's most idiosyncratic individualists. Many of his most famous songs are here – "Your Mind Is on Vacation," "New Parchman," "I'm the Wild Man," "I Don't Worry About a Thing," and "Your Molecular Structure," along with covers like "Rollin' Stone" and a rushed live remake of his biggest "hit," Willie Dixon's "Seventh Son".
“I was the engineer on the recording sessions and I also made the masters for the original LP issues of these albums. Since the advent of the CD, other people have been making the masters. Mastering is the final step in the process of creating the sound of the finished product. Now, thanks to the folks at the Concord Music Group who have given me the opportunity to remaster these albums, I can present my versions of the music on CD using modern technology. I remember the sessions well, I remember how the musicians wanted to sound, and I remember their reactions to the playbacks. Today, I feel strongly that I am their messenger.” Rudy Van Gelder
Basic, no-frills anthology of 13 of his better late-'50s Prestige sides, all of which feature his vocals. It has most of his most famous songs, particularly to listeners from a rock background, including his versions of "The Seventh Son," "Eyesight to the Blind" (covered by the Who on Tommy, though Sonny Boy Williamson did it before Allison), "Parchman Farm" (done by John Mayall), and "Young Man's Blues" (also covered by the Who). ~ AllMusic
This CD reissue brings back Mose Allison's second of six Prestige recordings. Allison performs eight instrumentals in a trio with bassist Addison Farmer and drummer Nick Stabulas, displaying his unusual mixture of country blues and bebop and even taking an effective trumpet solo on "Trouble In Mind." However it is his vocals on "Lost Mind" and particularly the classic "Parchman Farm" that are most memorable. ~ AllMusic