An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's "Avalanche," Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages.
Leonard Cohen's return to touring in 2008 kicked off a remarkably productive and satisfying third act in his career, and his continued enthusiasm for live performances has been both surprising and rewarding, as Cohen has reminded his fans that he's one of the most compelling artists you can see on a stage, even in his eighth decade. But Cohen has also released three live albums since his comeback – 2009's Live in London, 2010's Songs from the Road, and 2014's Live in Dublin – and even his most loyal patrons must be wondering how badly they need a fourth. Product overkill might keep some of Cohen's fans away from 2015's Can't Forget: A Souvenir of the Grand Tour, which features live performances and soundcheck recordings from 2012 and 2013 road dates, but from a strict standpoint of quality, Cohen's batting average is still admirably high, and this album once again leaves no doubt as to his continued strength as a vocalist.
Keeping the same line-up from Henry's Dream, Nick Cave and company turn in yet another winner with Let Love In. Compared to Henry's Dream, Let Love In is something of a more produced effort – longtime Cave boardsman Tony Cohen oversees things, and from the first track, one can hear the subtle arrangements and carefully constructed performances. Love, unsurprisingly, takes center stage of the album.
Keeping the same line-up from Henry's Dream, Nick Cave and company turn in yet another winner with Let Love In. Compared to Henry's Dream, Let Love In is something of a more produced effort – longtime Cave boardsman Tony Cohen oversees things, and from the first track, one can hear the subtle arrangements and carefully constructed performances. Love, unsurprisingly, takes center stage of the album. Besides concluding with a second part to "Do You Love Me?," two of its stronger cuts are the (almost) title track "I Let Love In," and "Loverman," an even creepier depiction of lust's throttling power so gripping that Metallica ended up covering it…