The music on this recital was specifically written or arranged for duo violinists Angela and Jennifer Chun. It highlights the personal and professional connections between Philip Glass and Nico Muhly, a longtime colleague and admirer of Glass's work. Glass's miniaturist works, Mad Rush and In the Summer House, create a maximum effect when paired with Muhly's minimalist Four Studies and Honest Music.
Decca’s third album of music by Nico Muhly is a collection of his orchestral works including the concerto for electric violin, Seeing is Believing, with soloist Thomas Gould.
Within the space of his short, yet incredibly illustrious career, Nico Muhly has contributed his talents as an arranger to recordings by Bjork, Bonnie 'Prince' Billy, Rufus Wainwright and The National, while also enjoying a successful sideline as a composer in his own right, presenting works in conjunction with a variety of high profile orchestras - he even finds time to work as a performer and conductor for Philip Glass on his various film soundtracks. Mothertongue is the sophomore solo effort from Nico Muhly, following up on the wide acclaim of his 2006 debut, Speaks Volumes, and marking a further step towards genre cross-pollination and a more avant-garde approach to the conventions of composed music. By this point, any notions of comfortable, conservative Americana are out the window and you're confronted by a highly experimental clash of vastly different musical schools. Quite unlike anything you're likely to encounter, this second album from Nico Muhly shows even greater ambition than its predecessor, establishing a language that's far removed from the kind of easy-going post-Blue Notebooks modern composition that's become so widespread. Very highly recommended.
Aurora Orchestra, together with conductor Nicholas Collon, is an innovative, energetic and talented ensemble. It has already amassed a good amount of praise from the critics, quickly establishing itself as the most significant new British chamber orchestra in a generation. Collon by himself is also making waves, increasingly in demand as a guest conductor in the UK and abroad. This album features a straightforwardly American repertoire selection, interspersing the core repertoire with some beautifully arranged folk/pop songs inspired by the theme.
An album the majority of whose contents consists of harp arrangements of music by Philip Glass might seem a bit arcane for a major label, but it seems that Sony knows what it is doing here. The Glass Effect double album is one of those releases that succeed on two different levels, an explicit one and one that, although not mentioned, is perhaps even more important. The former level here is the one denoted by the title, as Meijer picks up the rather neglected theme of Philip Glass' influence by offering, on disc two, a group of works by younger composers who follow Glass in varying degrees but who, it's safe to say, wouldn't have the styles they do without Glass having gone before. Much of the album consists of arrangements by Meijer herself, and these include, at the end, a remix of music from Koyaanisqatsi that's delightful and would be spoiled by description. But there's also solo harp music: sample the Suite for Harp by progressive rock musician Bryce Dessner, who certainly seems to have absorbed Glass' style far enough to make it his own.