Pearl Jam

Pearl Jam - Building Bridges (2017)  Music

Posted by pyatak at Aug. 12, 2017
Pearl Jam - Building Bridges (2017)

Pearl Jam - Building Bridges (2017)
MP3 CBR 320 kbps | 01:08:04 | 162 MB
Alternative Rock | Label: Goldfish

ACOUSTIC BROADCAST BENEFIT SHOWS FROM 1999 Having overcome a number of obstacles during the mid-1990s - including the temporary alienation of many fans in the wake of experimental No Code in 1996 and their ongoing feud with Ticketmaster - by the end of the decade Pearl Jam had reemerged as one of the biggest rock bands in America. Their 1998 album, Yield, was a return to their straightforward sound, and spirits were high. The record peaked at No. 2 on the chart and significantly outsold their previous effort, particularly overseas.

Pearl Jam FAQ: All That's Left to Know About Seattle's Most Enduring Band  eBooks & eLearning

Posted by Willson at Aug. 3, 2017
Pearl Jam FAQ: All That's Left to Know About Seattle's Most Enduring Band

Bernard M. Corbett, Thomas Edward Harkins, "Pearl Jam FAQ: All That's Left to Know About Seattle's Most Enduring Band"
English | 2016 | ISBN: 1617136123 | 400 pages | EPUB | 13.8 MB

Pearl Jam - Backspacer (2009)  Music

Posted by Designol at June 13, 2017
Pearl Jam - Backspacer (2009)

Pearl Jam - Backspacer (2009)
EAC | FLAC | Tracks (Cue&Log) ~ 251 Mb | Mp3 (CBR320) ~ 84 Mb | Data ~ 159 Mb | Scans ~ 47 Mb
Alternative Rock, Hard Rock | Monkeywrench | # 2716317 | Time: 00:36:38

Pearl Jam made peace with their hard rock past on their eponymous eighth album, but its 2009 sequel, Backspacer, is where the group really gets back to basics, bringing in old cohort Brendan O'Brien to produce for the first time since 1998's Yield. To a certain extent, the band has reached the point in its career where every move, every cranked amp, every short tough song is heralded as a return to form – call it the Stones syndrome – and so it is with Backspacer, whose meaty riffs have no less vigor than those of Pearl Jam; they're just channeled into a brighter, cheerier package. Despite this lighter spirit, Pearl Jam remain the antithesis of lighthearted good-time rock & roll – they're convinced rock & roll is a calling, not a diversion – but there's a tonal shift from the clenched anger that's marked their music of the new millennium, a transition from the global toward the personal.

Pearl Jam - Pearl Jam (2006) [Japanese Press]  Music

Posted by Designol at June 4, 2017
Pearl Jam - Pearl Jam (2006) [Japanese Press]

Pearl Jam - Pearl Jam (2006) [Japanese Press]
EAC | FLAC | Tracks (Cue&Log) ~ 332 Mb | Mp3 (CBR320) ~ 114 Mb | Scans ~ 38 Mb | 00:49:43
Alternative Rock, Hard Rock | BMG/Monkeywrench | # BVCP-21476/82876-71467-2

Nearly 15 years after Ten, Pearl Jam finally returned to the strengths of their debut with 2006's Pearl Jam, a sharply focused set of impassioned hard rock. Gone are the arty detours (some call them affectations) that alternately cluttered and enhanced their albums from 1993's sophomore effort, Vs., all the way to 2002's Riot Act, and what's left behind is nothing but the basics: muscular, mildly meandering rock & roll, enlivened by Eddie Vedder's bracing sincerity. Pearl Jam has never sounded as hard or direct as they do here – even on Ten there was an elasticity to the music, due in large part to Jeff Ament's winding fretless bass, that kept the record from sounding like a direct hit to the gut, which Pearl Jam certainly does. Nowhere does it sound more forceful than it does in its first half, when the tightly controlled rockers "Life Wasted," "World Wide Suicide," "Comatose," "Severed Hand," and "Marker in the Sand" pile up on top of each other, giving the record a genuine feeling of urgency. (AMG)

Pearl Jam - Riot Act (2002) Japanese Press  Music

Posted by Designol at April 21, 2017
Pearl Jam - Riot Act (2002) Japanese Press

Pearl Jam - Riot Act (2002) Japanese Press
EAC | FLAC | Image (Cue&Log) ~ 373 Mb | Mp3 (CBR320) ~ 124 Mb | Scans ~ 32 Mb
Alternative Rock, Hard Rock, Post-Grunge | Label: Epic | # EICP 161 | 00:54:15

Riot Act is the seventh studio album by American rock band Pearl Jam, released on November 12, 2002 through Epic Records. Following a full-scale tour in support of its previous album, Binaural (2000), Pearl Jam took a year-long break. The band then reconvened in the beginning of 2002 and commenced work on a new album. The music on the record featured a diverse sound, including songs influenced by folk, art rock, and experimental rock. The lyrics deal with mortality and existentialism, with much influence from both the political climate after the September 11, 2001 terrorist attacks and the accidental death of nine fans during Pearl Jam's performance at the 2000 Roskilde Festival.

Pearl Jam - Binaural (2000) 2CDs Japanese Edition  Music

Posted by Designol at April 9, 2017
Pearl Jam - Binaural (2000) 2CDs Japanese Edition

Pearl Jam - Binaural (2000) 2CDs Japanese Edition
EAC | FLAC | Tracks (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 142 Mb | Scans ~ 32 Mb | 01:02:06
Alternative Rock, Neo-Psychedelia, Folk-Rock, Hard Rock | Label: SME | # SRCS 2298-9

Binaural is the sixth studio album Pearl Jam, released on May 16, 2000 through Epic Records. Following a full-scale tour in support of its previous album, Yield (1998), Pearl Jam took a short break before reconvening toward the end of 1999 to begin work on a new album. During the production of the album, the band encountered hindrances such as singer Eddie Vedder's writer's block, and guitarist Mike McCready's entrance into rehabilitation due to an addiction to prescription drugs. The music on the record featured an experimental sound, evident on songs that used binaural recording techniques. The atmospheric tracks, mostly featuring somber lyrics dealing with social criticism, led the band to convey these themes with images of nebulas in the album artwork. Binaural received positive reviews, and debuted at number two on the Billboard 200.

Pearl Jam - Yield (1998) Japanese Press  Music

Posted by Designol at March 26, 2017
Pearl Jam - Yield (1998) Japanese Press

Pearl Jam - Yield (1998) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 371 Mb | Mp3 (CBR320) ~ 146 Mb | Scans included
Alternative Rock, Hard Rock | Label: Sony Music | # SRCS 8551 | 00:48:32

Yield is the fifth studio album by the American alternative rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was proclaimed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the songs. The lyrics deal with contemplative themes, albeit seen in a more positive manner compared to the band's earlier work.

Pearl Jam - No Code (1996) Japanese Press  Music

Posted by Designol at March 13, 2017
Pearl Jam - No Code (1996) Japanese Press

Pearl Jam - No Code (1996) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Alternative Rock | Label: Sony Music | # SRCS-8138 | Time: 00:49:38

A strange phenomenon with anthemic hard rock bands is that when they begin to mature and branch out into new musical genres, they nearly always choose to embrace both the music and spirituality of the East and India, and Pearl Jam is no exception. Throughout No Code, Eddie Vedder expounds on his moral and spiritual dilemmas; where on previous albums his rage was virtually all-consuming, it is clear on No Code that he has embraced an unspecified religion as a way to ease his troubles. Fortunately, that has coincided with an expansion of the group's musical palette. From the subtle, winding opener, "Sometimes," and the near-prayer of the single, "Who You Are," the band reaches into new territory, working with droning, mantra-like riffs and vocals, layered exotic percussion, and a newfound subtlety. Of course, they haven't left behind hard rock, but like any Pearl Jam record, the heart of No Code doesn't lie in the harder songs, it lies in the slower numbers and the ballads, which give Vedder the best platform for his soul-searching: "Present Tense," "Off He Goes," "In My Tree," and "Around the Bend" equal the group's earlier masterpieces.

Pearl Jam - Live On Two Legs (1998) Japanese Press  Music

Posted by Designol at Feb. 24, 2017
Pearl Jam - Live On Two Legs (1998) Japanese Press

Pearl Jam - Live On Two Legs (1998) Japanese Press
EAC | FLAC | Tracks (Cue&Log) ~ 540 Mb (incl 5%) | Mp3 (CBR320) ~ 199 Mb (incl 5%) | Scans included
Genre: Alternative Rock, Hard Rock, Grunge | Label: Sony | # SRCS-8851 | Time: 01:11:17

Seventy-one minutes of live Pearl Jam plus an unreleased song? It's aural nirvana for fans of the reclusive, integrity-driven Seattle quintet. Pearl Jam are nothing if not passionate and unabashedly rocking, and this 16-track offering, recorded during their Yield tour, illustrates why the mumbly voiced rock deity and his band of merry men inspire such ardor in their followers. Eddie Vedder's emotive vocals, Mike McCready and Stone Gossard's raw and raging fretwork and edgy, catchy, whisper-to-a-scream dynamics are deftly and inspiringly captured. Though a few staples (including "Jeremy") are missing, songs running the gamut of the band's seven-year career–from "Corduroy" to "Nothingman" to the Neil Young-penned "F*ckin' Up"–more than make up for any exclusions. The breadth and scope found on Live on Two Legs (a take on the Queen song, "Death on Two Legs"?) proves the once ├╝ber-"alternative" Pearl Jam have struck a loud chord in the mainstream…and that's not a bad thing.

Pearl Jam - Yield (1998/2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 21, 2017
Pearl Jam - Yield (1998/2016) [TR24][OF]

Pearl Jam - Yield
Alt. Rock | FLAC (tracks) 24-bit/192 kHz | 48:21 min | 1.86 GB | Front Cover
Label: Epic Records | Tracks: 13 | Rls.date: 1998/2016

Yield is the fifth studio album by the American alternative rock band Pearl Jam, released on February 3, 1998. Following a short promotional tour for its previous album, No Code (1996), Pearl Jam recorded Yield throughout 1997 at Studio Litho and Studio X in Seattle, Washington. The album was proclaimed as a return to the band's early, straightforward rock sound, and marked a more collaborative effort from the band as opposed to relying heavily on frontman Eddie Vedder to compose the songs. The lyrics deal with contemplative themes, albeit seen in a more positive manner compared to the band's earlier work.