A profoundly spiritual composer, Sofia Gubaidulina has said that ‘True art for me is always religious, it will always involve collaborating with God.’ As the present disc demonstrates, it is therefore less than fruitful to try to divide her music into sacred and secular compositions. Jauchzt vor Gott, the opening work, is here being released on disc for the first time. The nine-minute piece for choir and organ sets three verses from Psalm 66, and opens with a long cappella section on the word jauchzt, ‘rejoice’. At this point, the organ enters with an extensive solo involving a massive dynamic intensification, after which choir and organ continue together in music which makes the concept of contrast a determining element.
Speaking about Johann Sebastian Bach’s second son Carl Philipp Emanuel (1714-1788), Mozart said “he is the father, we are the children”. Indeed, Carl Philipp Emanuel is one of the major musical figures of this key period, the turning point between the baroque and classical aesthetics. Although he left a large body of work written for instruments of all kinds, the keyboard was always his favourite. He produced a number of collections for it, featuring numerous sonatas and freestyle works such as fantasias, a genre in which he excelled. Aline Zylberajch and Alice Piérot offer a selection of pieces for both violin and keyboard and solo keyboard, all composed during Carl Philipp Emanuel’s mature years, from the 1760s up until his death.
In honor of CPE Bach's 300th birthday, hänssler CLASSIC will be releasing an exciting series of recordings dedicated to the music of this well known but hitherto neglected Bach son during the first 3 months of 2014. At the beginning there are the so-called “Hamburg” symphonies Wq 182, interpreted with great sensitivity and bite, when necessary, by the Stuttgart Chamber Orchestra under the renowned conductor and former violist of the Berlin Philharmonic, Wolfram Christ. Maestro Christ sees these works as expressive pieces, open to multiple interpretations that invite the listener to experience them as almost Romantic in their gesture and content. Deciding on a fortepiano continuo instrument is not only a historically informed decision, but contributes to a perfectly balanced overall sound.
On this new CD for CPO the United Continuo Ensemble together with the tenor Jan Kobow presents secular songs and sacred arias by Johann Krieger taken from his collection Neue musicalische Ergätzlichkeit. Krieger’s musical language ranges from simple choral pieces through to virtuoso coloratura songs. We have combined these fascinating and multifaceted pieces with sonatas from Philipp Friedrich Buchner’s Plectrum Musicum.