Rory Gallagher sounds inspired throughout JInx, gamely leading new drummer Brendan O'Neill and keyboardist Bob Andrews through the blues-rock paces, even though the guitarist's personal fortunes were on a downslide from which they would never recover. "Big Guns" and "Bourbon," the album's opening selections find Rory in full fiery form, tossing out muscular guitar lines and fiery solos with descriptive lyrics catering to his infatuation with American gangsters. The album also features two of his best, and least known, songs in the spooky, paranoid title track, complete with simmering sax section, boiling tom-tom drums as well as his own stealthy harmonica, and "Easy Come Easy Go," a beautiful, bluesy ballad where Rory double tracks his acoustic and electric guitars. Gallagher's tough vocals take on a new emotional depth not previously heard, and are particularly poignant throughout. Diving into the blues, Lightnin' Slims' "Nothin' but the Devil," one of the two songs added for this reissue, is an acoustic solo showpiece revealing Gallagher's delta roots and substantial slide abilities.
The live album Live in Europe/Stage Struck captures Rory Gallagher at his finest, as he tears his way through many of his very best songs. Though the performance quality is a little uneven, there are gems scattered throughout the record, including smoking versions of "Messin' with the Kid" and "Laundromat."
In 1989, Castle released Tattoo/Blueprint, which contained two complete albums – Tattoo, originally released on Polydor in 1973, and Blueprint, originally released on Polydor also in 1973 – by Irish blues rocker Rory Gallagher…
Irish Tour '74 is the sixth album by Rory Gallagher, compiled from live recordings made at concerts on an Irish Tour in January 1974 at Belfast Ulster Hall, Dublin Carlton Cinema and Cork City Hall. "Back on My Stompin' Ground (After Hours)" was taken from a jam session during the tour on the Lane Mobile Unit. Irish Tour '74 has sold in excess of two million copies worldwide. An article in a Belfast daily newspaper stated: "Rory Gallagher never forgot Northern Ireland, he returned throughout the '70s when few other artists of his calibre dared come near the place."
The Original Album Classics series, courtesy of Sony/BMG, packages together five classic albums from one of the most popular artists on the label's roster, housing them in an attractive slipcase. This set from the Irish guitar legend features the albums Deuce (1971), Calling Card (1976), Top Priority (1979), Jinx (1982) and Fresh Evidence (1988). 56 tracks.
Gallagher's second album for Chrysalis – and last with his longstanding trio of Lou Martin (keyboards), Rod De'Ath (drums) and Gerry McAvoy (bass) – was a milestone in his career. Although Calling Card was produced by Deep Purple bassist Roger Glover and not surprisingly contained some of his most powerfully driving rockers, tracks like the acoustic "Barley & Grape Rag" and the jazzy, soulful, finger snapping title cut – a perennial concert favorite – found the Irish rocker not only exploring other musical paths, but also caught him on one of his most consistent songwriting streaks ever. Even "Do You Read Me," the muscular opening track, is a remarkably stripped-down affair that adds subtle synths to the rugged blues rock that was Gallagher's claim to fame. While "Moonchild," "Country Mile," and "Secret Agent" displayed catchy hooks, engaging riffs, and raging guitar work (the latter adds a touch of Deep Purple's Jon Lord-styled organ to the proceedings), it's the elegant ballad "I'll Admit You're Gone" that shifts the guitarist into calmer waters and proves his melodic talent was just as cutting on quieter tunes.
After releasing two albums in 1973 and a live, contract-fulfilling disc in 1974, Gallagher returned rested and recharged in 1975 with a new record label, Chrysalis, and a band with almost three years of hard touring under their belts. With its attention to detai, Against the Grain sounds more practiced and intricate than most of Gallagher's previous studio discs, but still includes some of his most powerful rockers. The supercharged "Souped-Up Ford," where Rory howls and wails, with his voice and smoking slide, and "All Around Man," an urgent blues rocker that begins with Gallagher screaming and crying together with just his electric guitar until the band kicks in with a stop-start blues rhythm, are two of the definitive moments. "Bought and Sold" adds congas to the mix to bring a more rootsy and even jazzy feel to Rory's table. But it's on the acoustic tracks where the guitarist and his band really lay into the groove.
Rory was never a man to sit back and let the world slip by. The 70’s saw him release 10 albums in as many years, work with a great many of his heroes and tour the world. Although his recorded output in the 1980’s was more sporadic he still toured constantly, playing some of the first rock gigs behind the iron curtain as well as cementing his live reputation in Europe and the US. ‘Defender’ his third album of the 80’s, was the first release on his own label. Capo offered him the complete artistic freedom he needed, enabling him to produce the music as he wanted. He admitted “I’m not that organised, but I want anything that I’m doing to be under control, and I want the final say on things”.
Irish guitarist and songwriter (born 2nd March, 1948, Ballyshannon, Co. Donegal - died 14th June, 1995, London). One of the most influential guitarists of all times. Gallagher was a master on his Fender Stratocaster in playing the blues (as a born Irishman). He was also a stage "beast" (proof of which the various great live albums). A musical purist who refused to release singles or music videos and turned down the opportunity to join The Rolling Stones in the 1970's…