Moriz Rosenthal was from the earliest generation of pianists to have made a significant number of recordings, and he was also one of the more important Liszt pupils, therefore his legacy is of the utmost importance as representative of 19th century style.
With this subtly provocative solo recital, Ted Rosenthal merges three very different streams of piano history, putting his personal stamp on all of them. He pays homage to Bill Evans with "I Loves You Porgy," "Turn out the Stars," and "Waltz for Debby," playing the last in 5/4 but reverting to 4/4 only on his second solo chorus. The Bud Powell portion is more extensive, consisting of "Tempus Fugit," "Wail," "I'll Keep Loving You," "Celia," "Parisian Thoroughfare," and, in another 5/4 interpretation, the closing "Tea for Two." Last but not least, Rosenthal unveils his improvisational approach to Beethoven with the latter two movements of the "Pathetique" sonata, as well as the third movement of "Opus 109," which inspires a full nine minutes of spirited invention. In Rosenthal's hands all this music sounds as though it sprang from the same muse, and that's the sign of a skilled, imaginative artist.
Everyone knows Offenbach's famous "Can-can" from the operetta Orpheus in the Underworld, but how many casual listeners have heard it in its original version, as a chorus of demons(!) in Hades? In fact, the version best known is this one, as arranged for the ballet Gaîté Parisienne by the delightful French composer and conductor Manuel Rosenthal. The work has been a staple of the Monte-Carlo ballet for about six decades, and Naxos has assembled the orchestra that knows it best for what amounts to a brand-new, original cast production, led by none other than the 95 years young Rosenthal.
Véritable réaction au néoclassicisme envahissant le XIXe siècle, le romantisme marqua une réelle fracture intellectuelle. Rencontré dans les textes de Victor Hugo, de Lord Byron, ce courant s'exprima en peinture dans la touche d'Eugène Delacroix, de Caspar David Friedrich ou de William Blake. En sculpture, François Rude montra le chemin de cette nouvelle liberté artistique, dotant ses réalisations de mouvements et d'expressions qui étaient jusque-là inconnus. …