40 years after his disappearance, the Royal Philharmonic Orchestra and the Abbey Road studios pay tribute to the King with this 2CD package, which brings together the two deluxe parts of the Elvis Symphonic project: "If I Can Dream" and "The Wonder of You ". This box is for the first time decorated with six bonus titles including the legendary "Heartbreak Hotel".
The complete Works for Piano and Orchestra, with Rafael Orozco playing the extraordinarily demanding piano score, which Serge; with his huge, slender, nimble fingers tended to compose to impress people and make many back away, is more than merely admirable when combined with Royal Philharmonic Orchestra, under the Direction of Edo De Waart.
A classic of The Royal Ballet, La Fille mal gardée was an immediate hit with the British public. Choreographed by Frederick Ashton in 1960, it is a highly lyrical and technically demanding take on the simple tale of ‘love prevailing’ which underpins this charming story. It was created by French ballet master Jean Dauberval and was first danced in 1789. This 2015 revival is a ‘company triumph’ (Independent), with principals Natalia Osipova and Steven McRae creating terrific onstage chemistry and delivering outstanding solo performances – Osipova as a ‘perky and gamine Lise’ with ‘pin-drop precise’ phrasing (Guardian), and McRae an instantly likeable, playful Colas whose physical articulation is ‘particularly Ashtonian’ in quality (Daily Telegraph). They are joined by Philip Mosley as Widow Simone, who brings ‘music-hall gusto’ (Independent) to the famous clog dance of Act I.
Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillan's first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Romeo and Juliet take centre stage for those great pas de deux: the meeting in the ballroom, the balcony scene, the morning after the wedding and the final devastating tomb scene. Although The Royal Ballet has performed Romeo and Juliet over 400 times, each performance and pairing is subtly different and Lauren Cuthbertson and Federico Bonelli are utterly captivating in the title roles.