The second installment in Sakari Oramo's superb hybrid SACD cycle of the symphonies of Carl Nielsen on BIS presents the Symphony No. 1 in G minor and the Symphony No. 3, "Sinfonia espansiva," two ruggedly independent works that reflect the composer's late Romantic style yet point to the modernism to come. While the Symphony No. 1 was influenced by Brahms and offers a rich harmonic language, propulsive rhythms, and a fairly homogenous orchestral palette, the Symphony No. 3 is striking for its reliance on unfolding counterpoint and long-breathed lines, and most notable for the use of wordless parts for soprano and baritone voices in the pastoral slow movement. These performances by Oramo and the Royal Stockholm Philharmonic Orchestra are exceptional for their stunning power and spacious feeling, though the crisp details and focused sound quality will be the biggest draw for audiophiles.
One of the most celebrated albums in all of pop music, Fleetwood Mac's multi-platinum Rumours, gets a luscious, symphonic treatment on this very special release!Arranged and recorded by the world famous Royal Philharmonic at London's own Abbey Road Studio with special guest appearance by Peter Frampton!Experience this album like you never have before!
As good as they are on their records, the Dubliners are essentially performance artists who are at their best in front of an audience – in this case an extraordinarily large one, doing most of their best-known songs (many of which remain identified with them 40 years later). The sound is surprisingly good, and the spirits are overflowing, and the entire record makes a fine follow-up/companion to the mid-'60s In Concert album and the live Finnegan Wakes. It's the tracks off of this album, as much as the studio originals, that have filled up many a compilation on the Dubliners in the decades since.
Classic rock and pop tracks with an orchestral twist! A Symphony of hits featuring Bohemian Rhapsody, Candle in the Wind, Stairway to Heaven, Let It Be, Handbags and Gladrags, Beautiful Day, Champagne Supernova, Good Vibrations, Layla, Nights in White Satin, Bittersweet Symphony, A Whiter Shade of Pale, Bat Out of Hell, Livin' on a Prayer, Yellow, Millennium…and more!
The popular Prelude & the so-called Liebestod (“Mild und Leise”) from Richard Wagner’s music drama Tristan und Isolde are the most familiar parts orchestras play, most often in the 1859 concert arrangement by Wagner. (He preferred that the term Liebestod be applied to the Prelude only, & originally titled his concert version Liebestod und Verklärung, or “Love-death & Transfiguration.”) The featured work of this Chandos SACD is the 1994 suite arranged by Henk de Vlieger, fashioned from key parts of the entire opera, not just the beginning & end. Tristan und Isolde: An Orchestral Passion is a lengthy tone poem that includes key passages, in much the same manner as de Vlieger’s other symphonic syntheses on Der Ring des Nibelungen, Parsifal, & Die Meistersinger von Nürnberg.